We are litigants in person, ie representing ourselves. According to CPR (Civil Procedure Rules) allowances should be made for our lack of experience. I’m not convinced the legal profession always understands their obligations.
Life classes again, and this time a model who teaches Yoga. She held the pose for two forty minute sessions without a break: I tried it at home later and suffered acute discomfort over the greater trochanter of both hips […]
I was working in my dedicated space yesterday…no other students, no tutors, no energy within the space…it’s got that edgy feel to it; it’s a space that you can’t imagine what it used to be used for. I’m working with […]
Dear Diary, Have you seen the film Brazil? Can’t say I’m loving it, but we’ve been watching it over two days. Anyway, in between showings, I phoned Company House with some questions about setting myself up as a company, and […]
Christina Mitrentse investigates the esoteric qualities of myth, interpretation and cultural construction through processes of painting, handcrafted sculpture, installation and conceptual appropriation. Her practice oscillates between that of curator, collector and storyteller in an endeavor to designate the peculiarity of […]
My day has been like this: 6 hours bent over a sheet of paper, pin in hand and 4 hours standing on a chair, on a table, trying to suspend said paper in a way that I’m happy with. I […]
I only called into college today. I picked up my prints and came home to work on them.
Contents include: Money matters and Commissioning now features; Why public art online is under threat in debate; Katie Paterson in Big picture; Collaborative relationships features Ania Bas at the New Art Gallery Walsall. PDF version [size 5 MB]. Requires PDF […]
Haroon Mirza, Adhãn (detail), 2009. Courtesy of Lisson Gallery.
At the end of another exceptional year for a-n The Artists Information Company, we are taking stock of some of the key milestones for artists this year, as well as forecasting for the climate in which artists might expect to be working in the next decade.
I read the October contribution to Debate by Tim Joss with pleasure. Although written for a political purpose it proved one of the most cogent and positive pieces of art criticism I have read in recent years.
a-n Magazine, November 2009 page six posed the question “should [there] be a return to a privately-funded [education] system?” I thought I’d share my own experience.
Arts Council England claims that “all our arts policies prioritise strengthening and developing the infrastructure for the artform” – so why, asks Andrew Knight, is the future of Public Art Online under threat?
The Guildhall, Leicester
17 – 27 November 2009
Nottingham Contemporary, Nottingham
14 November 2009 – 24 January 2010
