Page 2559 – a-n The Artists Information Company
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Archive
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Venue:
Llwynfor Gallery & Tearoom
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From:
September 06, 2008
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To:
October 06, 2008
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Location:
Wales
BARBARA WOOD, 'Hilary Angle'.
The Arthouse, 'Cherry Cup Cakes', acrylic on canvas, 2008. Photo: The Arthouse. Courtesy: The Art Shop.
katherine Jones, 'Jurassic Glass House', Etching and collagraph on paper.
John Cocozza, 'Wedding', 2008. Courtesy: Art Trek, Project Ability.
Framework, 'Barbara Ann Jordan'.
Andy Laffan, 'Direct carving and other works'.
Tina Mammoser, 'Blackgang, Beyond', Acrylic on canvas, 2008.
Giulia Zaniol, 'Venice Traffic', Gold ink on black Somerset paper, 2008.
Laura Ellen Bacon, 'Installation in Strid Wood', Willow, Sept 2008. Photo: Porl Medlock. Courtesy: Chrysalis. A woven, site-specific sculpture in willow created for the Slow Art Trail. Using a fallen tree along the Cumberland Trail she has produced a large installation around the ?tear? in the canopy and the fall of the tree within the site
'The Cumbria Network Autumn Gathering'.
Pablo Bronstein, 'Canary Wharf', ink on paper, 2006. Courtesy: Herald Street.
Sue Platt, 'Relume', Found Objects and mixed media.
'Robert McConnell'.
'Robert McConnell'.
Gillian Brent, ''Thicket' (detail)', Steel, 2008. Photo: Peter Griffiths.
Maria Clemen, 'How the west was won', papier mache, currency, 2008. Courtesy: the artist. papier mache guns wrapped in U.S. currency, (image used on invite for show)
'Edna Coatsworth'.
Hans Peter Kuhn, Gerhard Kassner, 'Pier 32', Photograph of sound and light installation, 1999. Photo: Gerhard Kassner. Lower West Side, Manhatten
Jane Ostler, 'Love scenes from my desktop', Digital, 2008. A screen shot of ten image files makes a single image.
Natalie Abadzis, 'Gently She', Mixed media.
Artist-architect team Kevin Carter and civic Architects discuss their work with Louise Kirkup, Principal Planner of Burnley Borough Council, in the latest in our collaborative relationships series.
With half the UK’s population residing outwith urban conurbations, and regional and arts and cultural policies prioritising local engagement, locations often regarded as countrified are strategically raising their art world profile through imaginative programmes and project.
In a world increasingly skewed by notions of commodity and markets, artists and creative practitioners must be proactive in seeking out opportunities that enable them to experiment and take the risks that will drive up the quality of their work.