Rick Faulkner, artist and director of Chrysalis Arts, outlines the international ‘Artists in Transition’ project and how it adapted to the change in circumstances imposed by the outbreak of Foot and Mouth.
Brigid Howarth takes a look at artists’ communities in the USA.
‘Suspended Sentences’ is the culmination of a year-long collaborative residency between Shirley Diamond, the vendors and the staff at the Big Issue of the North Trust in Manchester. During the residency, hundreds of hitherto unheard and sometimes untold stories were […]
Over the summer, I have been working on a series of paintings, installed on the walls of a semi-derelict mill in Salford. The mill has been converted into a work and exhibition space for artists and designers in the Manchester […]
Photographing landscapes was displaced for me some years ago by having children. Instead I started to make photographic work about my familiar surroundings – from the laundry and toys, to favourite picnic venues. As a family, we’ve been visiting the […]
I have been creating shadows with dyed rice since leaving Goldsmiths two years ago. Last year I was commissioned by the Chinese Arts Centre (Manchester) and the Bull Theatre (London) to create interactive installations with real and imaginary shadows. I […]
My practice is concerned with social and political issues; the visual language I use resides within a traditional aesthetic of truth and beauty.
As an artist-photographer my work is broad and covers many genres of photographic imagery.
Museum of Modern Art, Oxford, 8 July – 21 October
John Hansard Gallery, Southampton 27 July – 1 September
Lantern House, Ulverston, Cumbria 2 August – 1 September
Bluecoat Arts Centre, Liverpool 2 August – 15 September
The De La Warr Pavilion, Bexhill-on-Sea 29 July – 16 September
Elvis has finally left the building. This time though there will be no shiny white stretch limo, but a battered old Hackney cab driven by artist Stephen Skrynka. This bizarre sight was seen in and around Glasgow as part of […]
Cyfuniad, which took place from 26 August to 9 September, brought together twenty-three artists from all over the world to live, work and talk, providing them with the freedom to take risks, explore new avenues and discuss arts matters. Based […]
The argument about how to restructure the arts funding system in England has turned into a power struggle between the Arts Council of England (ACE) and English regional arts boards (RABs): the centre and the regions. Undermining the process is […]
A two-month residency by Polish artist Gosia Zylka concludes with an exhibition at artist-run Saltburn Artists’ Studios. Concerned with the ‘inner side’ of things as well as their outward appearance, the artist’s residency created an opportunity to make new work […]
From over sixty proposals, eight artists have been shortlisted for the prestigious £20,000 Jerwood Sculpture Prize. Ekkehard Altenburger, Benedict Carpenter, Katy Dexter, Ana Genoves, Elpida Hadzi-Vasileva, Marion Kalmus, Richard Trupp and Tom Woolford have now been commissioned to produce small-scale […]
The UK’s seen a noticeable increase in professional development schemes for artists, encompassing training, mentoring, networking and information services. There is an obvious cross-reference to the government’s endorsement of ‘lifelong learning’ as a principle, encouraged through the offer of individual learning accounts for all. These moves increase opportunities for the kinds of artistic development that incorporates developing and honing skills, accessing facilities and ultimately furthering career strategies. The results are more than just CV embellishment. By providing points of crossover between artists, such schemes contribute to peer support systems and help to address the potential isolation of artists. Here, three individuals involved in artists’ professional development matters describe some of the resources around, and discuss how artists are making the most of them.
In the second of a series of articles focusing on the career development of well-established artists, Lucy Wilson meets Yinka Shonibare.
Clark Dawson met the Glasgow-based creators of this artists’ book to find out the intentions behind it.
The trust’s coordinator Leila Dawney explains the organisation’s artist-led ethos and its work to support the arts in Birmingham.
Louise Coysh visited ‘Fresh Art’ at the Business Design Centre, London to find out how the fair met with the exhibiting artists’ expectations.
There is a long history of placing contemporary art in remote and rural locations as a method of encouraging tourism. The sculpture trail is now an established form of presentation. Here, Victoria Bernie – an artist based in Edinburgh – describes her participation in a small-scale project in Sweden and Public Art Officer Piers Masterson gives his view on the history and public reception of a much larger project spread across northern Norway.
A regular visitor to Italy since 1981, when Alan Rogers moved there on a more permanent basis his “youthful, romantic love affair” with its warm Mediterranean light was soon replaced by the realisation that day-to-day conditions for contemporary artists were far from ideal.
