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Blog Post

Untitled blog post from "University campus suffolk"

Mike Nelson Michael “Mike” Nelson (born 20 August 1967) is a contemporary British installation artist. He represented Britain at the Venice Biennale in 2011. Nelson has twice been nominated for the Turner Prize in 2001 and 2007. Nelson’s installations always […]

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Blog Post

Untitled blog post from "Rubbish"

Currently Reading: Vitamin 3-D: New Perspectives in Sculpture and Installation. Phaidon (eds.). 2009. Phaidon, London. This survey of contemporary sculpture conducted in 2009 spotlights 119 prominent cross-generational artists from 27 countries, introduced by Anne Ellegood. The criteria for inclusion to […]

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The Nine Swords
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The Nine Swords

Mike Nelson, 'The Nine Swords'.
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After Kerouac, 2006
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After Kerouac, 2006

Mike Nelson, 'After Kerouac, 2006'. Courtesy: the artist.
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Cadets Running
Resource Archive News archive

UK in Venice

A round-up of UK projects and presentations, official, collateral and otherwise, during the 54th International Art Exhibition of the Venice Biennale. Projects run 4 June – 27 November 2011 unless otherwise stated.

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Blog Post

Untitled blog post from "Coleg Menai, Bangor"

Something of a creative hiatus this week; we all went to London for a spot of gallery bashing. Loved Mike Nelson’s Coral Reef, Fiona Banner’s amazing aircraft and Rachel Whiteread’s drawings at Tate Britain, also Rosa Barba’s great projector/film installation […]

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Blog Post

Untitled blog post from "Coleg Menai, Bangor"

A week spent grappling with the dissertation and shooting and editing video. Next week we have a group trip to London, the idea is to hit as many galleries as possible in three days. Looking forward to the Turner prize […]

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Resource Archive Discussion

The Biennial’s radical heart

Steve Dutton reflects on the exhausted Biennial model and gives his account of how curators are finding ways to overcome this syndrome.

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Untitled
Resource Archive Feature

Rural response

With half the UK’s population residing outwith urban conurbations, and regional and arts and cultural policies prioritising local engagement, locations often regarded as countrified are strategically raising their art world profile through imaginative programmes and project.

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