Silent Sound
St. Georges Hall, Liverpool
14 September
Greenland St, Liverpool
16 September 26 November
St. Georges Hall, Liverpool
14 September
Greenland St, Liverpool
16 September 26 November
Artists story: French Mottershead
Grayson Perry on exhibiting in The Raw and the Cooked.
Tom Burtonwood introduces his selection of articles from a-n’s archives for Perspectives on practice, illustrating the impact a-n has had on foregrounding developments in artists’ practice and strategies.
Curated space looks at strategies and interventions within artist-curator space. Devised and conducted by Manick Govinda, contributors include Gavin Wade, Erika Tan, Jeremy Deller and David A. Bailey.
Curated space artists’ interviews in full.
Encouraging a consistent attitude to quantifying the value of artists across the exhibition and gallery world.
Read the Future space interviews in full. These interviews formed the base material for the Future space publication.
From a-n Magazine May 1995 Minky Manky at South London Art Gallery showed, amongst others, work by Damien Hirst and Mat Collishaw, along with Tracey Emins Love Tent; Christopher Pauling won the £4,000 Mostyn Open purchase prize; Leo Fitzmaurice and […]
The Life Lines landmark public art commission by international artists Vong Phaophanit and Claire Oboussier will be launched in February. The fifty-four metre long dynamic sculpture will translate the ever-changing sounds, weather and movement of people in Southend-on-Sea into a […]
Designers Shin and Tomoko Azumi featured in our online Signpost: new graduates’ guide to being an artist on www.a-n.co.uk are amongst the shortlisted artists for the tenth Jerwood Applied Arts Prize. Talking in 2002 about their approach, they […]
Artist Dave Farnham has won PizzaExpress Prospects 2004 a national contemporary drawing prize now in its fifth year. The artist will be presented with a cheque for £10,000 by leading art historian and broadcaster Tim Marlow The artist’s work, […]
Tom Woolford’s Landmark is now in situ on the cliffs below Tynemouth Priory, North East England. Four illuminated individual letters, which stand 4m tall and have an overall width of around 18m, spell out ‘LAND’. Tom Woolford has lived and […]
Jane Watt looks at artists and commissioners who are redefining what it means to work in the ‘public region’, in the second of the six-part series ‘Navigating Places’.
Planning is now underway for the third Liverpool Biennial in 2004, a foreground for the City of Culture programme in 2008. For the 2002 event, over 180,000 visits were recorded at the UK’s only biennial of contemporary visual art and […]
Paul Moss profiles Tanya Axford and discusses the strategies she has employed to maintain her practice.
Roddy Lumsden talks to artist Joshua Sofaer about the differences between performance and live art, audiences, and finding funding.
Despite graduating just two-and-a-half years ago, it is incredible how much metalsmith Junko Mori has managed to achieve in terms of reaching different markets and raising the profile for her work. In some ways she appears to be the very […]
Becky Shaw describes how she negotiated the difference between the expectations of her work and the reality of her practice when she received a prestigious international art prize.
Continuing our series of articles focusing on the career development of well-established artists, painter Geraint Evans talks to Sally Shaw about his success.
Sandwiched between the mountains and the sea, Llandudno’s modest, faded Victorian gentility is home to Oriel Mostyn Gallery. ‘Something in the Ether’ was a discussion using ‘Mostyn 12′ – the gallery’s twelfth annual open exhibition – to ask whether and how an open show pinpoints emerging trends in artists’ practice.
Brendan Fletcher takes a look at how artist-led initiatives, and the Manchester galleries’ willingness to listen have helped shape the current changes in the Manchester art scene.
Bluecoat Arts Centre, Liverpool 2 August – 15 September
Louise Coysh visited ‘Fresh Art’ at the Business Design Centre, London to find out how the fair met with the exhibiting artists’ expectations.