Aimed at public sector arts employers, commissioners, consultants and arts trainers, Good practice in paying artists addresses the context for fees and payments for artists’ residencies, workshops and community commissions.
Gasworks is part of an international network of independent studios around the globe.
Catherine Wilson profiles inIVA’s achievements over the last decade.
Artist’s jobs and opportunities 1989-2003
Extensive research last year by Morris Hargreaves McIntyre revealed an extensive but as yet untapped market for art sales in England. However, by exploring notions of who and what ‘legitimises’ contemporary visual arts, Taste buds: how to cultivate the art […]
We are pleased to announce that City and Guild MA graduate Klari Reis and University of Gloucestershire BA graduate Thomas Goddard have both won stand space worth over £1,000 at the forthcoming On the Wall art fair at Olympia 29 […]
As part of the quarterly meetings schedule, the Board of a-n will be meeting in Bristol on 6 December. We’d love to hear from artists’ projects and networks who will have work on show at that time, for inclusion in […]
Two lucky winners in our new competition for 2004 graduating art and design will be able to launch their careers at On the Wall, a brand new art fair to be held at London’s Olympia 29 September – 3 October. […]
Aikaterini Gegisian profiles The Leleg Institute Project, a platform for collaboration and cultural exchange in Turkey.
Paul Glinkowski profiles the work of Paul Bonaventura, co-founder of The Laboratory, the research wing of the Ruskin School of Drawing and Fine Art at the University of Oxford, in the fifth article of the ‘Crossing over’ series.
Lesley Millar, Project Director of ‘Through the Surface’, profiles the process and outcomes of this major collaboration between artists from the UK and Japan.
Brigid Howarth profiles The Shipley Art Gallery, which holds a public collection of contemporary craft.
Jane Watt profiles Grizedale Arts, its residency programme and focus on research and process-based work that encourages interaction with the physical and social environment.
Manick Govinda profiles Zarina Bhimji and uncovers how two awards have played a pivotal role in her recent work.
Paul Moss profiles Tanya Axford and discusses the strategies she has employed to maintain her practice.
Sorcha Dallas profiles Transmission, the Glasgow-based artist-run gallery, that was established in 1983 by graduates of Glasgow School of Art.
Rebecca Farley profiles the Starter studios programme and looks at how six of the scheme’s previous artists were able to develop their careers.
Heather Rigg profiles Next Move, a national professional development scheme which aims to launch the careers of applied artists.
Read guides and profiles that offer valuable information, insights and strategies on art practice from a range of expert voices. Plus extensive archive of past publications.
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