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Inside the studio
In this month’s round-up we profile six open studio events.
You searched for Creative Partnerships - Page 3 of 4 - a-n The Artists Information Company
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Forma annual review 2005/06
Report first published in 2007 on www.forma.org.uk after an exciting year in which Forma achieved substantial growth in terms of programme, turnover and structure.
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Production lines
With reference to the production of inter-disciplinary visual arts, Charlotte Frost indicates the types of activities involved, art forms which respond well to this style of collaboration and some of the difficulties experienced by production agencies in working in this way.
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Broadening the mind
Developing your practice and career beyond the UK
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Art in the public realm
Exploring the roles and reasons of selected organisations dedicated to widening access to the visual arts through commissioning temporary and permanent interventions in non-gallery spaces in the first of a two-part feature.
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The essence of performance
The focus generated this month by ‘Vital 07’ is the catalyst for exposing of some of the UK’s key promoters of live art today.
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Discussion
Putting craft into new contexts and Projects: a new strategy and vision for the Crafts Council
The Crafts Council, the national development agency for contemporary crafts in the UK, has gone through huge changes in the last five years.
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Crafts strategy launched
After a far-reaching review and reshaping exercise, the Crafts Council has launched its new three-year plan. Describing itself as the national development agency for contemporary crafts in the UK, its key areas of work for the future are summarised as […]
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Rough trade – a new take on the Arts and the Trade Unions
The term synchronicity was first used by the Swiss psychologist Carl Jung to describe “temporally coincident occurrences of casual events”1.
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ACE’s Turning point strategy under the spotlight
Artists comment on the Arts Council’s Turning Point Strategy.
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Impact of networking: The NAN way
Jane Watt outlines the core strengths of NAN and looks to the future.
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Document
Code of Practice – Organisations
A Code of Practice takes commonly-agreed principles of good practice and demonstrates why and how they should be applied.
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Enriched mix
Artist David Macintosh takes a personal look at collaborative working.
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Out of Control
Mike Stubbs examines some issues facing artists.
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Intersection
Aviva Leeman reports from Artquest’s recent conference.
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Vox box
A series of Vox box style reflections by some of the artists who have experienced NAN.
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Culture Commission
Leigh French, co-editor of Variant, reports on the context and outcomes of The Cultural Commission. “Everything can be measured, and what can be measured can be managed.” McKinseys consultants “The very act of observing alters the reality being observed.” Heisenberg […]
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International news
The rapid ongoing abrogation of boundaries and fusions in art, technology and society are the focal point for the 2005 Ars Electronica Festival. Held in Linz, Austria, 1-6 September, it comprises a fascinating mixture of events, conferences, symposia, exhibitions and […]
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Collaborative relationships
Rohini Malik Okon introduces her selection of articles for the first a-n Collections.
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Old and new masters
Bruce Haines profiles Johannes Phokela’s ongoing partnership with Gasworks in London.
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Research calls
Finding the Common Threads is a two-year study being conducted by the Centre for Creative Communities with support from Arts Council England, London and Deutsche Bank. With London as its focus, the project is investigating some of the issues funders […]
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Quo Vadis: Cultural traffic
Philip Babot on the cross-border and international achievements of artists’ organisations in South Wales.
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Tales of two cities: Brazil
Luiz Camillo Osorio on Rio de Janeiro and Ana Paula Cohen on S
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Practice leads development
The training-led development programmes that were the norm in artists’ professional development delivery some years ago are giving way to new projects that focus around contemporary practice and are driven by ‘real world’ situations. They recognise that being a visual […]
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A mutual arrangement
Giles Sutherland looks at the relationship between glass artist Keiko Mukaide and Edinburgh College of Art.
