Bella Kerr, ‘Red Ball’, 2007. Photo: Bella Kerr. Courtesy: Bella Kerr. Images are reworked again and again and, like recurrent dreams, evolve and mutate, but remain recognisable through characters, objects and a consistent emotional direction. A concern with the quality of line and colour – borrowed from the domestic through the use of test pot colours – underlies the implied narratives, each drawing a stage for the small dramas of family life