Page 2188 – a-n The Artists Information Company

''what the chamber maid saw'', still image from video installation.

'Map'. Detail of a pre WW2 Michelin map of the south of England.

Elizabeth Haider, 'Galloping Horse', ceramics, 2008. Photo: Elizabeth Haider. Courtesy: Haider Studios. Small smoked terracotta galloping horse, on attached base

'Turn Hurst'.

Angela Howard, 'Extracted Forms VII', Acrylic and Emulsion on canvas, Autumn 08.

don braisby, 'Short's cottage', Gum arabic transfer.

Richard Grassick, 'Blanche Pease Annex', Digital Photography. Photo: Richard Grassick.

'Ian Maslen'. Photo: Ian Maslen. A work in progress of a painting as instructed by a group of year 8 pupils

Frances Carlile, 'House Place', linocut, Jan 2009. Photo: Frances Carlile.

don braisby, 'Short's Cottage', digital.

Carol Ramsay, 'maquette (detail)'.

Carol Ramsay, 'Maquette'.

me, 'notes on passing', video still, 26-1-09. Photo: me.

TurnHurst, 'Just the Two of Us (After Gilbert and George)', 2009.

TurnHurst, 'Gam', 2009.

TurnHurst, 'Turn Hurst'. installation view

andrew martyn sugars, 'creedexperiment(180)', paint as a time based media, 29?01?09.

andrew martyn sugars, 'creedexperiment(193)', paint as a time based media.

andrew martyn sugars, 'creedexperiment(221)', paint as a timebased media, 29?01?09. an on-going experiment running alongside the studio practice work in video.

Display Ad, ‘007_0901_LC_O_WEB’.

Nicolas Primat. Courtesy: the artist and Cornerhouse.

Richard William Wheater, ‘The Rise Of Natures Parade’, seaweed/glass, 2004.
Movie still of performance

Richard William Wheater, ‘Burning Fat’, glass/neon/mixed media, 2007.
Photo: Kevin Clifford.

Richard William Wheater, ‘Adapt!’, glass/argon, 2008.
Photo: Jerry Hardman-Jones.
Richard Wheater

Richard William Wheater, ‘Them And Us, New Forest (crow)’, 2008.
Photo: David Lindsay.