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Photo: Lis Molzahn. Part of the shoot on May 21st. Gemma, Phil, Ross and Kirsten (left to right) against the old Norfolk Hotel, which is just off Sunniside Gardens.
Page 2290 – a-n The Artists Information Company
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Cream Pages
Tania Koswycz and Richard Layzell, 'Cream Pages'.
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Untitled
amy pierpoint, ‘Untitled’, assemblage, final-year student at Nottingham Trent University, 2008.
"4 whole days. and then poof, come 4 o'clock on Tuesday it's all over. Well the writing and making part anyway and everything after is the fun bit. It's like climbing a very big snowy hill grasping a sledge, right now I'm nearly at the top, I can peer down the hill and see the finish line and all the people cheering me on."
"4 whole days. and then poof, come 4 o'clock on Tuesday it's all over. Well the writing and making part anyway and everything after is the fun bit. It's like climbing a very big snowy hill grasping a sledge, right now I'm nearly at the top, I can peer down the hill and see the finish line and all the people cheering me on."
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amy pierpoint
'amy pierpoint'.
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Phantom Rosebuds
Dexter Sinister, Clifford Irving, 'Phantom Rosebuds'.
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scarborough art gallery coffe lounge
'scarborough art gallery coffe lounge'.
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The Loom Project : textile
Alinah Azadeh/ASF Weave/Jon Bird, 'The Loom Project : textile', Code, organza ribbon, silk noil, lurex., 2005. Photo: David Ramkalawon. Courtesy: David Ramkalawon/Constance Howard Resource and Research Centre in Textiles.
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Caroline Twidle.
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Once Within a Room
Alejandro Cesarco, 'Once Within a Room'. Courtesy: New Langton Arts.
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Turning
Cynthia Cousens, ‘Turning’, stills from video, 2002.
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The Waves
Cynthia Cousens, ‘The Waves’, acetate, print, dye, monofilament, light, shadow, 1.5m wide installation, 2000.
Photo: Sara Morris. Courtesy: Crafts Council Collection.
Photo: Sara Morris. Courtesy: Crafts Council Collection.
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Tips
Cynthia Cousens, ‘Tips’, silver, lacquer, 18 - 32 mm - length, 2002.
Photo: Sara Morris.
Photo: Sara Morris.
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Crossing and Rows Brooches (from the Welbeck project)
Cynthia Cousens, ‘Crossing and Rows Brooches (from the Welbeck project)’, 18ct yellow and red gold, 80mm x 90mm, 2001.
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Showcase of Research for The Welbeck Project
Cynthia Cousens, ‘Showcase of Research for The Welbeck Project’, soil, paper, photograph, photocopy, gold, pastels, 2000-01.
Photo: Gary Kirkham.
Photo: Gary Kirkham.
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Necklace Studies Winter 1-6
Cynthia Cousens, ‘Necklace Studies Winter 1-6’, textile, paper, silver, twig, 700 - 1,070mm, 1995.
Photo: David Cripps.
Birmingham Museum collection.
Photo: David Cripps.
Birmingham Museum collection.
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Emma Summers
'Emma Summers'.
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Emma Summers
Emma Summers, 'Emma Summers'.
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Emma Summers
Emma Summers, 'Emma Summers', porcelain.
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The Women’s Land Army
Sarah Craske, Stacy Keeler, ‘The Women's Land Army’, 2008.
Photo: Jessica Baum.
Commissioned by Margate Rocks 08
Photo: Jessica Baum.
Commissioned by Margate Rocks 08
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The Women’s Land Army
Sarah Craske, Stacy Keeler, ‘The Women's Land Army’, 2008.
Photo: Jessica Baum.
Commissioned by Margate Rocks 08
Photo: Jessica Baum.
Commissioned by Margate Rocks 08
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The Women’s Land Army
Sarah Craske, Stacy Keeler, ‘The Women's Land Army’, 2008.
Photo: Jessica Baum.
Commissioned by Margate Rocks 08
Photo: Jessica Baum.
Commissioned by Margate Rocks 08
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Hotchpotch VII
Chloe Greenhalgh, ‘Hotchpotch VII’.
BA (Hons) Photography Arts Institute at Bournemouth, exhibiting at Free Range.
BA (Hons) Photography Arts Institute at Bournemouth, exhibiting at Free Range.
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a bit lost
Deborah Ann Graham, 'a bit lost', digitally altered photo, 2008.
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Kaleidoscope
Mitra Memarzia, ‘Kaleidoscope’.
from the 2Sided Project
from the 2Sided Project
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Untitled
Jodi Bieber, ‘Untitled’.