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Jamie Davies, ‘Turf’, 1999.

Part of a series

Ticky Lowe, ‘Daisy Chair’, 1998.

private collection

Sean Fairman, ‘Creation dub’, 200x175cm.

mixed media on canvas

Eric Martin, ‘Happy as Mick and Larry’.

Woodcut

Ruth Richmond, ‘painted skip’, 2000.

Setsuko Tatemoto, ‘Grey fringe shawl’, (210x34), 2000.

Simon Lewandowski, ‘Product Recall’, 2000 .

Flora Gare, ‘Duologue’, 2000.

Justin Carter, ‘Life boat’, 230 x 120 x 40 cm, 2000.
Photo: Alan Dimmick.
Marine ply, epoxy resin, yacht varnish, marine gloss, rubberised cotton tarpaulin

Matt Mitchell, ‘Sub, steel, lights’.
Photo: Michael Franke.

Andrea Gregson, ‘Waterscapes (Detail)’.

Andrea Gregson, ‘Waterscapes’, 2000.

Imagery on bottles

Jen Southern, ‘Beneath the marble, the shopping centre’.

Petko Dourmana, ‘Turning on or My tomb is cool oasis in the city's heat’.

Tim Laun, ‘5.5.99’.
Photo: Harald Melrose Truck.

Tim Laun, ‘(Detail), 5.5.99’.
Photo: Harald Melrose Truck.

David Sherry, ‘Professor Plausible’, 28.4.99.
Photo: Harald Melrose Truck.

Anne Walton, ‘Hearth’, 30.6.99.
Photo: Harald Melrose Truck.

Margaret O'Rorke, ‘Ceiling light’.
Photo: Colin Hall.
First slip cast industrial prototypes.

Taslim Martin, ‘at work’.

‘Public Things’, 2000.
Photo: Peter Barker.

Taslim Martin, ‘Dovetail Stools’, 2000.

Taslim Martin, ‘Cold Comfort’, 2000.

Maddi Nicholson, Stuart Bastick.
Photo: Ian Glover.
Barrow-in-Furness

John Newling, ‘Advance interpretative material about Aperture’.

Issued by Royal Mail to workers in Birmingham Mail Centre.