Yvette Dubel, Surviving
This mixed media piece started during a research trip to South Carolina for the
Yvette Dubel, Source Artist Process
As a Source Artist this diagram shows the process ad infinitum
the ceramic tiling of the forbidden city is incredible - especially where it has been renovated, the glazes are deep, saturated colour. Every corner on every roof has this group of 4 mythic creatures led by an Emperor-like figure
more domestic and intimate spaces
Glenn Cruddas, A text rich environment, wall painting 2007.
C. Morey de Morand, Berlin Studio
C. Morey De Morand, Light Shaft, Blue.
Berlin Series.
Catherine Clover, A slightly obscure part of the park, with a rather dodgy looking lake accompanied by this sign, but great for insects.
Helen Thompstone, Labelled
Apple Sticker- Inlaid Veneer
Malcolm Tait, In search of Albion.
The new signs have brought greater numbers to the piece and the interaction is enthusiastic, however with a large passing audience I feel more can be done to develop the engagment further.
Feeding the creative urge
Glenn Cruddas, Projecting Text
Glenn Cruddas, The wall ready to go
Alex Pearl, A scan of the chosen image, the real thing won't really look like this.
Kastanienallee, Prenzlauer Berg, East Berlin
View now from Studio Kitchen window
Zionskirche Fleamarket, Berlin
Laurence Chalks Wobbly Lamps.
We Beneath by Lizzie Jones.
Shan Miller, Large Farmyard, Acrylic, 197cm x 135cm, 2002.