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Indexing intelligence
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Page 2458 – a-n The Artists Information Company
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High tides and low lights
‘High tides and low lights’.
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High tides and low lights
‘High tides and low lights’.
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a-n Magazine August 2006
Ruth Moilliet, ‘Wild Carrot’, (detail), 2006.
Part of the touring exhibition ‘Meadowlands’, an installation of eighteen glass panels incorporating flowers, digital images and etchings. Cover of a-n Magazine, August 2006.
Part of the touring exhibition ‘Meadowlands’, an installation of eighteen glass panels incorporating flowers, digital images and etchings. Cover of a-n Magazine, August 2006.
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This is Not a Dry Place
Tony Ceballos, ‘This is Not a Dry Place’, site-specific installation on Videy Island for Sense in Place Site-ations International exhibition, 2005.
Photo: Emilia Telese.
Photo: Emilia Telese.
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It costs the Earth
Peter Kennard, Cat Picton Phillipps, ‘It costs the Earth’.
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Untitled
Robin Close, ‘Untitled’.
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Shimmering
Rachel Gadsden, ‘Shimmering’, mixed media on canvas, 50x50, October 2005.
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Revolutionsbedarf
Marcel Buhler, ‘Revolutionsbedarf’, 2005.
installing artwork at Art Forum Berlin
installing artwork at Art Forum Berlin
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Paper messages to Buddha at a temple in Kamakura
‘Paper messages to Buddha at a temple in Kamakura’.
Photo: Caroline Wright.
Photo: Caroline Wright.
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A Daily Ritual to Capture the Presence of Everybody
French Mottershead, ‘A Daily Ritual to Capture the Presence of Everybody’, photograph from performance for camera, Saturday 11 February 2006.
Photo: Neilson Photography. Courtesy: the artists.
National Review of Live Art, Glasgow
Photo: Neilson Photography. Courtesy: the artists.
National Review of Live Art, Glasgow
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Meadowlands: Wild Carrot
Ruth Moilliet, ‘Meadowlands: Wild Carrot’, 2006.
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Meadowlands: Poppies
Ruth Moilliet, ‘Meadowlands: Poppies’, 2006.
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Plate 4 – Evil Bastard the Magpie (after Archibald Thorburn, 1915)
Jamie Shovlin, ‘Plate 4 - Evil Bastard the Magpie (after Archibald Thorburn, 1915)’, dimensions variable, 2004-6.
from The Birds in her Garden, pencil, pencil crayon on paper, book pages, handwritten index, specimen pins, entomology cabinet, taxidermy birds, ornithology books
from The Birds in her Garden, pencil, pencil crayon on paper, book pages, handwritten index, specimen pins, entomology cabinet, taxidermy birds, ornithology books
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Alejandra
Tamy Ben-Tor, ‘Alejandra’, DVD, 3 minutes, 2005.
Courtesy: the artist and Zach Feuer Gallery, New York.
Courtesy: the artist and Zach Feuer Gallery, New York.
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Artist in Residence
Tamy Ben-Tor, ‘Artist in Residence’, DVD, 5 minutes, 2005.
Courtesy: the artist and Zach Feuer Gallery, New York.
Courtesy: the artist and Zach Feuer Gallery, New York.
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The Contractor
Tamy Ben-Tor, ‘The Contractor’, DVD, 4 minutes, 2005.
Courtesy: the artist and Zach Feuer Gallery, New York.
Courtesy: the artist and Zach Feuer Gallery, New York.
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Come Hell or high water
Michael Pinsky, ‘Come Hell or high water’, 2006.
Photo: Mark Pinder.
Photo: Mark Pinder.
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A Partial Success
Sam Dargan, ‘A Partial Success’, oil on board, 11x15cm, 2005.
Courtesy: the artist and Rokeby Gallery, London.
Courtesy: the artist and Rokeby Gallery, London.
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Lynch Hymn No. 6
Michael Forbes, ‘Lynch Hymn No. 6’, domestic paint on canvas, 220x250cm, 2005.
Courtesy: the artist.
Courtesy: the artist.
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Longshore drift
William Hunt, ‘Longshore drift’, June 2 2006.
Photo: Simon Steven.
Photo: Simon Steven.
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On It’s Side
Dilys Finlay-Stephens, ‘On It's Side’.
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Figures by the sea
Steve Wright, ‘Figures by the sea’, oil on canvas, 108x158cm, 2005.
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As Big as a House
Richard Woods, ‘As Big as a House’, Published as part of the New Thinking Public Art series.
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The Code of Practice – artists
‘The Code of Practice - artists’.