Page 2502 – a-n The Artists Information Company

Roland Hicks, ‘I am not going anywhere’, oil on canvas, 102x102cm, 2003.

Dexter Dalwood, ‘Sharon Tate's House’, collage, 2000.

Richard Boyd, ‘Site specific installation’, 2004.

Jane Bailey, ‘Recollections from the future’, video stills.

Jane Bailey, ‘Recollections from the future’, video stills.

Jane Bailey, ‘Recollections from the future’, video stills.

Jane Bailey, ‘Recollections from the future’, video stills.

Andrew Wicks, ‘Sotto’.
Breakfast range

Naum Gabo, ‘Construction in Space with Balance on Two Points’, circa 1924 (assembled 1982).
© Nina Williams.

Laszlo Moholy-Nagy, ‘Leda and the Swan’, plexiglas sculpture, 1946.
© DACS.
Collection: Institut Valencia d'Art Modern, Valencia

Bernd Behr, ‘Sentinal Burn’, lightbox, 2003.

Helen Maurer, ‘In the Green Room (detail)’, 33x33x25cm, 2003.
Photo: Angela Moore.
Detail of glass model placed on an overhead projector

Keiko Mukaide, ‘Nacreous Clouds’.
The Royal Botanic Garden Edinburgh, 2000

Keiko Mukaide, ‘Glass Dry Landscape Garden’.
Photo: Lynsey Wright.
Manchester City Art Gallery, 1999

Keiko Mukaide, ‘Spirit of Place’, detail of main installation spiral.
Photo: Shannon Tofts.
Talbot Rice Gallery, 2003

Keiko Mukaide, ‘Spirit of Place’, main installation spiral.
Photo: Shannon Tofts.
Talbot Rice Gallery, 2003

Keiko Mukaide, ‘Secret Garden (detail)’.
Jerwood Prize for Applied Art - Glass, Crafts Council, London, 1998

Claire Barber, ‘Effervescent Trail (installation detail)’, reclaimed bath insulation foam and dressmaker's pins, 1.02x6m, 2003.

Jeanette Appleton, ‘Landline: Double edged encounters’, wool, various fibres and fabric, 28.4x0.6x0.3m, 2003.

Ealish Wilson, ‘Streets, signs and temples’, kimono, cotton and mizhiki, 1.3m, 2003.

Susan Derges, ‘Vessel’, Ilfochrome transparency, 41x29cm.
Photo: Susan Derges.
Oxford University Museum of The History of Science, 2001

Mark Wallinger, ‘Time and relative dimensions in space (detail)’, mixed media, dimensions variable.
Photo: John Riddy.
Oxford University Museum of Natural History, 2001

Simon Callery, 'Trench 10', chalk and wood, 224x1919x513.5cm. Photo: John Riddy.
Dover Castle, 2000-03

Kate Jo, ‘Amicable Apples (1 of 4)’.
Series inspired by the mathematical term 'amicable numbers'. Jo is showing with Volume

‘View of artist-run Switchspace’.