Page 2507 – a-n The Artists Information Company

Fred Tomaselli, ‘Study for Gravity in Four Directions’, 2001.

Jack Duplock, ‘Untitled’, 2003.
Courtesy: the artist and Vilma Gold Gallery.

Sean Gandini, ‘Jugging a siteswap pattern’.

Dorothy Cross, ‘Come into the garden Maude’, 2002.

Projected on the Royal National Theatre, London

Alice Angus, ‘Sketch for animation’, 2003.
Photo: Joyce Majiski.

‘Artist a profession?’.

‘Artists' associations, the most important distributors of contemporary art?’.

‘Contemporary art, only a business for experts?’.

‘Live from one's art, a utopia?’.

Postcard for the First National Visual Artists Forum

Ben R Coode-Adams, ‘Lost and Found’, Installation of 12 Sonic Vista benches.

In Barrow-in-Furness with Mil Stricevic and Kate Davis. Over four hours of plays, poems and stories written and performed by local people embedded in ordinary wooden benches

Ben R Coode-Adams, ‘EASTPEAKWESTLAKE’, Installation at the Grizedale Show, 2000.

Also shown at the Kendal Mountain Film Festival and the Kielder Show

Ben R Coode-Adams, ‘BMX: Bikes and Bullets’, Video still.

Commissioned by Nina Pope and Commissions East for A Public Auction of Private Art Works 2000

Ben R Coode-Adams, ‘Sculpture to Commemorate the Peasants Revolt of 1381’, Galvanised mild steel, individual panels acid etched, 400x240x80cm, 1990.

Commissioned by Thurrock Borough Council and sited in the village of Fobbing near Grays, Essex. Budget £5000. The left pillar tells the story of the revolt in Kent, the right that of Essex, culminating at the apex of the arch with the rout of the rebels at Smithfield.

Ben R Coode-Adams, ‘Arbor with Gate’, Galvanised and forged mild steel, 400x200x300cm, 1993.

A private commission for Feeringbury Manor Essex. The figures forming the gate represent John the Baptist, on the left and Christ on the right. They are made from forged mild steel and are hollow. The holes drilled over their surface are to facilitate the flow of the molten zinc to ensure an even and clean coating

Veronica Bailey, ‘2 Willow Road’, 2003.

(;From Your Friends in Norway', J W Eldes Forlag, Bergen, Norway 1946)

Sam Atkins, ‘Handwoven lampshade’.

Scott Pagano, ‘Constructive Interference’.

Scott Arford, ‘Static Room’, 2000.
Photo: Randy HY Yau.

Matthew Biederman, ‘Media Exchange’.

Mohini Chandra, ‘Travels in a New World 2’, 1997.

Detail from 6 screen video projection, installation with sound. Commissioned by Bluecoat Gallery, Liverpool

Mohini Chandra, ‘Travels in a New World 2’, 1997.

Detail from 6 screen video projection, installation with sound. Commissioned by Bluecoat Gallery, Liverpool

Mohini Chandra, ‘Studio (Suva)’, DVD projection, 2003.

Mohini Chandra, ‘Studio (Nadi)’, DVD projection, 2003.

Martin Heron, ‘Shepherd's Crooks’, 2001.
Photo: Pori Medlock. Courtesy: Training for Real.

‘Re:location Project’, 2003.
Photo: Diane Taylor.
Beginning of the transformation of the former Commercial X-Ray Factory, Foundry Lane, Smethwick.