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IAA_Exhibition_Right.
Exhibition Remuneration Right image. Courtesy: IAA
Page 255 – a-n The Artists Information Company
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Erin O’Keefe, Built Work #29, 2018, archival pigment print mounted to Sintra, framed, edition of 3 63.5 x 50.8 cm (25 x 20 inches)
Erin O'Keefe, Built Work #29, 2018, archival pigment print mounted to Sintra, framed, edition of 3
63.5 x 50.8 cm (25 x 20 inches)
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David Bray, It is all falling out of my face. Courtesy: Sidney and Matilda Gallery
David Bray, It is all falling out of my face. Courtesy: Sidney and Matilda Gallery
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Installation view of works by Erin O’Keefe
Installation view of works by Erin O'Keefe
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Sriwhana Spong, Ida-Ida, 2019, an installation by Sriwhana Spong. Photograph: Max McClure
Sriwhana Spong, Ida-Ida, 2019, an installation by Sriwhana Spong. Photograph: Max McClure
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SS19-Invites_Page_1
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Exhibition Remuneration Right image. Courtesy: IAA
Exhibition Remuneration Right image. Courtesy: IAA
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2017-11-02-20.22.13
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degree-shows-listing-banner-test2
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UCA-GRADUATE-SHOW_Image-3-300dpi
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Richard Whitby, The Lost Ones. Courtesy: Jerwood/FVU Awards
Richard Whitby, The Lost Ones. Courtesy: Jerwood/FVU Awards
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Rae-Yen Song, Happy Happy Leaf, 2018
Rae-Yen Song, Happy Happy Leaf, 2018
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Hito Steyerl, How Not to Be Seen: A Fucking Didactic Educational .MOV File, 2013 (still), HD video, 15 minutes 52 seconds, colour, sound. Image CC 4.0 Courtesy: the artist, Andrew Kreps Gallery (New York) and Esther Schipper Gallery (Berlin)
Hito Steyerl, How Not to Be Seen: A Fucking Didactic Educational .MOV File, 2013 (still), HD video, 15 minutes 52 seconds, colour, sound. Image CC 4.0 Courtesy: the artist, Andrew Kreps Gallery (New York) and Esther Schipper Gallery (Berlin)
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degree-shows-listing-banner-test
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Download-Programme
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Talking-about-Gay-bars-and-clubs-of-Great-Yarmouth
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The-half-lion-half-fish-symbol-from-the-Yarmouth-coats-of-arms-dating-from-the-1340-Battle-of-Sluys-it-could-be-reread-as-an-image-of-transformation-or-queerness
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Quay-Pride-Great-Yarmouth-one-of-the-towns-three-gay-bars
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Mapping-LGBTQI-sites-past-and-present-at-Outhouse-East-Colchester
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Embroidery Machine
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Cathy Wilkes, Untitled, dimensions variable, mixed media, 2012.
Cathy Wilkes, Untitled, dimensions variable, mixed media, 2012. Installation view of Cathy Wilkes, MoMA PS1, 22 October 2017 – 11 March 2018. Photo: Pablo Enriquez
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Be a supporter and champion for other artists working in these contexts
Be a supporter and champion for other artists working in these contexts. Illustration by Rebecca Davies.