Pum, Earth Echo Affective Reflection
Domenico and Francesco Pizzigani, The Pizzigani portolan, 1367
Akram Zaatari, The Script, 2018. Courtesy: the artist
Aleksandra Karpowicz with October! Collective, Body As Home, 2019
Katharine Stout, new director of Focal Point Gallery, Southend-on-Sea. Courtesy: Focal Point Gallery
Image taken from Save Lincolnshire's Usher Gallery (SLUG) campaign leaflet
Saint Petersburg, Russia. Palace Embankment, house 38 (Winter Palace). Licensed under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license. www.commons.wikimedia.org/wiki/File:Spb_06-2012_Palace_Embankment_various_14.jpg
Naiza Khan, The Land Itself, 2014, watercolour, 46 x 61cm
John Akomfrah, Mimesis: Seven Ambiguities of Colonial Disenchantment, 2018, three channel HD colour video installation, 7.1 sound. 73 minutes. © Smoking Dogs Films. Courtesy: Lisson Gallery
Barbara Hammer at the 2014 Art+Feminism Wikipedia Editathon at Eyebeam. Licensed under the Creative Commons Attribution-Share Alike 4.0 International license. www.commons.wikimedia.org/wiki/File:ArtAndFeminismNYC-Barbara_Hammer.jpg
Detail of hand painted Braille cover: and for you (love), an artist's book of Braille poems by Stevie Ronnie, 2019. Photo: Stevie Ronnie
Detail, cover: and for you (love), an artist's book of Braille poems by Stevie Ronnie, 2019. Photo: Stevie Ronnie
A Dictionary of Braille Letters, Words & Symbols, Stevie Ronnie, 2019. Photo: Stevie Ronnie
Max Pinckers, Margins of Excess, 2018
MK Gallery, interior – gallery by 6a architects. Photo: Johan Dehlin
MK Gallery exterior by 6a architects. Photo: Iwan Baan