Photographer Nan Goldin leads an anti-opioid protest at the Guggenheim Museum in New York against its funding by the Sackler family. Photo: Nan Goldin Instagram
Fatoş Üstek, new director of Liverpool Biennial, 2019. Photo: Christa Holka
Appau Jnr Boakye-Yiadom, Jerwood Solo Presentations 2019, Jerwood Space 4. Photo: © Hydar Dewachi
Appau Jnr Boakye-Yiadom, Before: Adaptive Rhythm, Installation View, 7.1 sound video installation, size variable, 2018. Photo: Appau Jnr Boakye-Yiadom
Appau Jnr Boakye-Yiadom, P.Y.T, 2009, penny loafers, ribbon, latex ballons, size variable, Photo: Appau Jnr Boakye-Yiadom
Appau Jnr Boakye-Yiadom AfterBaste on Narration, 2019, Detail. Courtesy: the artist
Appau Jnr Boakye-Yiadom, Jerwood Solo Presentations 2019, install shot. Photo: Anna Arca
Appau Jnr Boakye-Yiadom, Jerwood Solo Presentations 2019, install shot. Photo: Anna Arca
Appau Jnr Boakye Yiadom, Jerwood Solo Presentations, 2019, Jerwood Space 3. Photo: © Hydar Dewachi
Katherine MacBride, having been breathed out / patriarchy over and out, 2019, CCA Glasgow. Photo: Alan Dimmick
Image credit: Galina Walls
Louise Hopkins with Flying Fox, 2018. Courtesy: artist; photo: Mike Bolam
Maeve Brennan, The Drift, 2017, 50mins, film still. Commissioned by Spike Island and Chisenhale. Courtesy: artist
Jacqueline Hoàng Nguyễn, Black Atlas, 2016. Courtesy: artist and Museum of Ethnography, Stockholm; photo: Hannes Anderzen
Karen Cunningham, Contextural, 2018, detail. Courtesy: artist; photo: Mike Bolam
Louise Hopkins in conversation, with her installation Flying Fox in the background, 17 November 2018. Photo: Chloe Ackland
Louise Hopkins, 'Flying Fox', 2018, installation view. Photo: Mike Bolam; Courtesy: the artist
Wallace Hall Academy Higher Photography, Pop Up Exhibition, 17-18 January 2019. Photo: Chloe Ackland
Clementine Drake, 'Balanced Enigmas', 2019, exhibition invite
Andreas Rüthi, Paper Plates & Poisoned Porcelain, 2018. Courtesy the artist
