Helen Douglas, Insects & Grasses, Published by Printed Matter Inc, on the occasion of the Weproductions retrospective at Printed Matter Inc, 123 11th Av NY, 2018. 9.5 x 18 cm, 20pp. Printed colour HP Indigo on Munken 135gsms. Green card cover, label title, Hand stitched. Edition 175. Photo: Weproductions
Helen Douglas, LEAVES passing, Weproductions, 2015. 23cm x 13.5cm, 24 pages. Printed colour digital dryprint on Mohawk Ultrawhite 148gsms. Black card cover, embossed title. Hand stitched. Edition 80. Photo: Weproductions
Helen Douglas, The Pond at Deuchar, 2011, 14 metres x 27cm hand scroll, printed on Chinese Xuan paper, ultra chrome inks. Silk ribbon edged. Edition of 4. Photo: Weproductions
Beatrice Gibson, I Hope I'm Loud When I'm Dead, Film Still, 2018. Copyright: Beatrice Gibson. Courtesy: the artist
Oona Grimes, mozzarella in carrozza, still, 2018. Courtesy: the artist, Matt's Gallery, London, and Danielle Arnaud
Helen Sear, Paintball Pictures, 2018. Courtesy: Impressions Gallery
Nigel Cooke, Painter’s Beach Club, 2018, oil on linen backed with sailcloth, 230 cm x 210 cm. © Nigel Cooke. Courtesy Pace Gallery
Hardeep Pandhal, Untitled, 2017. Copyright: Janina Sabaliauskaite
Jani Leinonen, McJesus, 2015. Photo: Vilhelm Sjöström; Courtesy: the artist and Zetterberg Gallery
Niya B, Trans:plant (2016)
Image:
a-n’s Assembly Birmingham event, June 2018. Photo: Marcin Sz www.marcinsz.com
Tessa Norton, Baby Biscuits, 2018. Photo: The Artist
Camae Ayewa aka Moor Mother at the Wysing Polyphonic Music Festival, Wysing Arts Centre, 2018. Photo: Wilf Speller
Residency event with Tessa Norton, Rachael Rosen, Joe Moran and invited contributors, Wysing Arts Centre, 2018. Photo: Wilf Speller
Wysing Arts Centre, 2018. Photo: Wysing Arts Centre
