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Page 280 – a-n The Artists Information Company
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anti_349_Cuba
Cartoon image protesting the introduction of Decree 349, the new federal law that criminalizes independent cultural activity in the country. Source: https://secure.avaaz.org/en/community_petitions/Ministerio_de_Cultura_de_Cuba_No_al_Decreto_349/?tWUcUgb
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SODA_Manchester
SODA (School of Digital Arts), Manchester, designed by FCBStudios, set to be completed 2021
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Patrick Heron, installation view, Tate St Ives
Patrick Heron, (left) 27 August: 1991, (right) Big Complex Diagonal with Emerald and Reds: March 1972 – September 1974, installation view at Tate St Ives. Photo: Stephen Palmer
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Tacita Dean, A Muse, 2017, film still. Courtesy: artist, Frith Street Gallery, London and Marian Goodman Gallery, New York/Paris
Tacita Dean, A Muse, 2017, film still. Courtesy: artist, Frith Street Gallery, London and Marian Goodman Gallery, New York/Paris
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Tacita Dean, A Muse, 2017. Installation view, The Fruitmarket Gallery, 2018. Courtesy: artist, Frith Street Gallery, London and Marian Goodman Gallery, New York/Paris. Photo: Ruth Clark
Tacita Dean, A Muse, 2017. Installation view, The Fruitmarket Gallery, 2018. Courtesy: artist, Frith Street Gallery, London and Marian Goodman Gallery, New York/Paris. Photo: Ruth Clark
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Pia Camil, Split Wall, 2018, installation view of Nottingham Contemporary. Photo: Stuart Whipps
Pia Camil, Split Wall, 2018, installation view of Nottingham Contemporary. Photo: Stuart Whipps
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Jonny Bark, 'Inhabiting Edgelands', exhibition view, CET Building, Coventry, November 2017 – April 2018. Courtesy" Coventry Biennial
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Lucy Orta, Procession Banners. Courtesy: Ikon
Lucy Orta, Procession Banners. Courtesy: Ikon
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Monster Chetwynd, Tate Britain Winter Commission. Photo © Tate (Matt Greenwood & Seraphina Neville)
Monster Chetwynd, Tate Britain Winter Commission. Photo © Tate (Matt Greenwood & Seraphina Neville)
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Bea Haines, Sanatorium, 2011
Bea Haines, Sanatorium, 2011
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Siobhán Hapaska, Love, 2016, Concrete cloth, fibreglass, two pack acrylic paint and lacquer, oak, 141 x 233 x 102 cm / 55.5 x 91.7 x 40.2 in
Siobhán Hapaska, Love, 2016, Concrete cloth, fibreglass, two pack acrylic paint and lacquer, oak, 141 x 233 x 102 cm / 55.5 x 91.7 x 40.2 in
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my-face
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Carol Rhodes, Howrah Station, Bengal, 2012
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Carol Rhodes, River, Roads, 2013, Oil on board,
50 x 57 cm
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Development-1
Carol Rhodes, Development Centre and Roads, 2010, Oil on board
50 x 70 cm
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Carol Rhodes, Roads, Buildings (night), 2013,
Oil on board, 51 x 53.5 cm
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Berlinde De Bruyckere, Stages & Tales, Installation view, Hauser & Wirth Somerset, 2018, © Berlinde De Bruyckere. Photo: Mirjam Devriendt; Courtesy: the artist and Hauser & Wirth
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Berlinde De Bruyckere, Stages & Tales, Installation view, Hauser & Wirth Somerset, 2018, © Berlinde De Bruyckere. Photo: Mirjam Devriendt; Courtesy: the artist and Hauser & Wirth