Page 300 – a-n The Artists Information Company

Josephine Rock, you i i i, installation view at UCA Farnham, 2018

Ronan Porter, LET ME READ, painting – acrylic on unstretched canvas, 2018

Godith Hawkins, John and A Heap of Raw Material, installation view at University Centre Hastings, 2018

Luke Dawes, Excavate (with a fine tooth comb), Untitled and Triple glazing, installation view, 2018

Abbie Schug, After IMG_8923, 2018

Julie Johnstone, ten blue pages | ten grey pages, 2017. Photo: Julie Johnstone

Rachel Whiteread, Nissen Hut

Julie Johnstone, forecast variable outlook calm, 2017; ‘A table of the weather at Edinburgh’, manuscript, 1783-96. Photo: Julie Johnstone

Rachel Whiteread, Nissen Hut

Rachel Whiteread, Nissen Hut

Julie Johnstone, exercise, 2015; Margaret Morris, The notation of movement, London, 1928. Photo: Julie Johnstone

Pocket Forecaster, Negretti & Zambra, c.1915; Julie Johnstone, sky viewing permit, 2017; Julie Johnstone, cyanometer, after Horace-Bénédict de Saussure, 1-100%, 2017. Photo: Julie Johnstone

Thomas Stubbs, ink manufacturer, manuscript notebook & recipe book, c. 1800; Julie Johnstone, visible / invisible, 2017; Penmanship medal, presented to John Carfrae, silver, c.1780. Photo: Julie Johnstone

Hrair Sarkissian, Homesick, installation view, 23 Dukes Lane, Brighton Photo Biennial 2018. Photo: Nigel Green

Émeric Lhuisset, L’Autre Rive, installation view, University of Brighton Galleries - Edward Street, Brighton Photo Biennial 2018. Photo: Nigel Green

Robin Maddock, Nothing We Can’t Fix by Running Away, installation view, 29 Sydney Street, Brighton Photo Biennial 2018. Photo: Nigel Green

Marilyn Bridges (1948-, États-Unis), "Vue d'oiseau", Entrée du tunnel sous la Manche, Coquelles, 1992, 37,8 x 48,2 cm, commande Mission Photographique Transmanche n°21, 1996.

Émeric Lhuisset, L'Autre Rive, Iraq, Turkey, Greece, Germany, France, Denmark, Syria, 2010 - 2018. © Émeric Lhuisset

Uta Kogelsberger, Brighton Photo Biennial 2018. Photo: Nigel Green