Page 302 – a-n The Artists Information Company
Sarah Taylor Silverwood: Crowd Show. Courtesy: NN Contemporary Art
David Batchelor, Geo-Concrete 03 (left) and Multi-Colour Chart 24, both 2018, installation view, at Edinburgh’s Ingleby Gallery, Frieze London 2018. Photo: Chris Sharratt
Isa Genzken, Empire/Vampire III, 16, 2004. Mixed media, metal, glass, plastic, lacquer, wood, 167 x 60 x 46 cm. Image courtesy of Galerie Buchholz
'Wayfinding', News of The World, Deptford
Nú Barreto, Galerie Nathalie Obadia. Photo: Jack Hutchinson
'Labour Exchange', Creekside Projects
O B S O L E T E (Second flush) at Art Hub Gallery
Chloe Dewe Mathews: In Search of Frankenstein, Impressions, Bradford
Alan Michael: Astrology and the City. Courtesy: Cell Project Space, London
Anna Bunting Branch, META, 2018 (still), interactive Digital Work. Courtesy: the artist
David Shrigley at Stephen Friedman Gallery, Frieze London 2018. Photo: Chris Sharratt
Johanna Unzueta, April, May 2016 NY, 2016, Watercolour, pastel, pencil, needle holes on hand-dyed watercolour paper (indigo), 1320 x 900 mm. Photo: Tate Photography
Hardeep Pandhal, Parent Culture, 2018, Synthetic wool, punching bag holders, dimensions variable, exhibition view, Frieze London 2018. Photo: Chris Sharratt
Wong Ping, Wong Ping's Fables 1, installation view, Frieze London 2018. Photo: Chris Sharratt
Claudette Johnson, Standing Figure with African Masks, 2018, Pastel and gouache on paper, 1630 x 1330 mm
Sonia Boyce, The Audition 1997, printed 2018, Black & white photographs mounted on aluminium,
Dimensions variable.
Acquired for the Tate collection thanks to the 2018 Frieze Tate Fund supported by Endeavor
Tania Bruguera’s Turbine Hall commission at Tate Modern. The Natalie Bell Building with Bruguera and members of the Tate Neighbours group. Photo: Andrew Dunkley © Tate
Tania Bruguera’s Turbine Hall commission at Tate Modern. Installation view with Bruguera and members of the Tate Neighbours group. Photo: Andrew Dunkley; © Tate
Tania Bruguera’s Turbine Hall commission at Tate Modern. Installation view with Bruguera and members of the group of 21 people who live or work in the SE1 postcode who have worked with her to explore how the museum can learn from and adapt to its local community. Photo: Andrew Dunkley © Tate