Page 307 – a-n The Artists Information Company

Daniella Watson, Performance of How to Survive on Land and Sea, Rhubaba, June 2016. Photo: Rhubaba

Affordable Art Fair. Courtesy: Affordable Art Fair

Affordable Art Fair. Courtesy: Affordable Art Fair

Lucy Kimbell, Air Pollution Toile, 2018. Image © Lucy Kimbell

Polly Apfelbaum, Waiting for the UFOs (a space set between a landscape and a bunch of flowers), 2018, Ikon, Birmingham. Courtesy: the artist and Ikon. Photo: Stuart Whipps

Ulla von Brandenburg, Sweet Feast, 2018, super-16 mm film, colour, sound. Courtesy: the artist and Pilar Corrias, London

Birmingham Museum and Art Gallery. © Andy Smith, 2018

Nope to Arms collective. Image: Luke Forsythe

Nope to Arms collective. Image: Luke Forsythe

Páll Haukurs, death of an object, 2018, installation view at Kling and Bang. Photo: Lilja Birgisdóttir

James Turrell, Porterville, 2004

Gabriela Schutz, Connected. Clay & plaster

Caroline Mesquita, spaceship stirrup, 2017 steel, stainless steel, resin, car paint, 95 x 120 x 70 cm. Courtesy: artist and carlier | gebauer, Berlin

Martin Benka, After the Storm / The Rainbow, 1918. Courtesy: SNG, Bratislava

Steve McQueen portrait. Photo: © John Russo

'Knock Knock', Installation view , South London Gallery (22 September – 18 November 2018). Pictured: The Cat Stays in the Picture (2010) by Rebecca Warren, Hand Drawn (1964) by Lynn Hershman Leeson and Untitled (2011-2015) by Amelie von Wulffen Photo: Andy Stagg

'Knock Knock', Installation view , South London Gallery (22 September – 18 November 2018) Pictured: Campaign Volunteer (2018) by Rosemarie Trockel, Yves (2018) by Sarah Lucas and Biological Clock 2 (1995), Call Me (1987) and Seduction (1985) by Lynn Hershman Leeson. Photo: Andy Stagg

South London Gallery Fire Station. Interior View (Staircase), 2018. Photo: Johan Dehlin. Courtesy 6a architects

South London Gallery Fire Station. Interior View (Attic), 2018. Photo: Johan Dehlin. Courtesy 6a architects.