Page 344 – a-n The Artists Information Company

image

Grenfell_5_

by Chris Sharratt
Forensic Architecture, Grenfell Tower Fire, https://www.forensic-architecture.org/case/grenfell-tower-fire/
0 0
image

Saydnaya_6_

by Chris Sharratt
Forensic Architecture, Saydnaya: Inside a Syrian Torture Prison. https://www.forensic-architecture.org/case/saydnaya/
0 0
image

Saydnaya_1_

by Chris Sharratt
Forensic Architecture, Saydnaya: Inside a Syrian Torture Prison. https://www.forensic-architecture.org/case/saydnaya/
0 0
image

Ayotzinapa_4_

by Chris Sharratt
Forensic Architecture, The Ayotzinapa Case: A Cartography of Violence. https://www.forensic-architecture.org/case/ayotzinapa/
0 0
image

Antony Gormley, Infinite Cube II, 2018, mirrored glass with internal copper wire matrix of 1,000 hand-soldered omnidirectional LED lights, 176 x 88 x 88 cm. Installation view of ‘Antony Gormley Subject’, Kettle’s Yard, Cambridge, UK, 2018. Photograph: Benjamin Westoby. © the artist

by Jack Hutchinson
Antony Gormley, Infinite Cube II, 2018, mirrored glass with internal copper wire matrix of 1,000 hand-soldered omnidirectional LED lights, 176 x 88 x 88 cm. Installation view of ‘Antony Gormley Subject’, Kettle’s Yard, Cambridge, UK, 2018. Photograph: Benjamin Westoby. © the artist
0 0
image

Antony Gormley, Infinite Cube II, 2018, mirrored glass with internal copper wire matrix of 1,000 hand-soldered omnidirectional LED lights, 176 x 88 x 88 cm. Installation view of ‘Antony Gormley Subject’, Kettle’s Yard, Cambridge, UK, 2018. Photograph: Benjamin Westoby. © the artist

by Jack Hutchinson
Antony Gormley, Infinite Cube II, 2018, mirrored glass with internal copper wire matrix of 1,000 hand-soldered omnidirectional LED lights, 176 x 88 x 88 cm. Installation view of ‘Antony Gormley Subject’, Kettle’s Yard, Cambridge, UK, 2018. Photograph: Benjamin Westoby. © the artist
0 0