We Are Here, A Celebration of Oastler Market with Wur Bradford & Market Traders. Photo: Tim Smith.
Jean McEwan, Confirm Humanity, photocollage, 2018. Courtesy; artist.
Wolverhampton School of Art Degree Show 2018.
Helen Sear, Wahaha Biota, video still, 2017
Winner, Jennifer Lee poses with her work at the Loewe Craft Prize 2018 at The Design Museum on May 3, 2018 in London, England. Photo: Darren Gerrish/Darren Gerrish
Roni Horn, Double Mobius, v1, 2009, gold foil (with plastic peg) - 2 ribbons, ed. 1/3 + 1AP. Photo: courtesy of the artist and Hauser & Wirth
Susan Hiller, London Jukebox, 2008-2018, xustomised jukebox with 70 songs selected by the artist. Photo: Todd White
Heidi Maribut, 'IMPORT IN(CHOIR)Y', 2017. Courtesy: the artist and Bloomberg New Contemporaries
Chris Alton, After the Revolution They Built an Art School Over the Golf Course, 2017. Courtesy: the artist and Bloomberg New Contemporaries
Gemma Lacey, Accumulated Data, detail. Concertina woodcuts of marks found in the John Rylands Library, Manchester. Edition of 10
Jane Cradock-Watson, UP. Made in response to the idea that whilst we are surrounded by nature, we often don’t see its beauty which is all around us, specifically the beauty of autumnal and winter trees. Edition of 10
Angus P Forbes, Untitled (detail), 2018.
Angus P Forbes, Untitled (detail), 2018.
Angus P Forbes, Untitled (detail), 2018.
Mavina Baker, Mapping the Edges. Concertina book, wood and linocut with a poem to capture the emotional response to the experience of watching a wild bird of prey. Edition of 10
Tom Sowden, A 4-hour walk on every road in the Southville Residents’ Parking Scheme. A 4-hour walk on every road in the Southville Residents’ Parking Scheme - recording sights, sounds and smells through street furniture along the way, or ‘Every parking meter in the RPZ’. Open edition
Rachel Hendry, Flatlands, 2017. Courtesy: the artist
Lock and Key. Copyright: Manchester Metropolitan University. Courtesy: Gary James Williams