Page 355 – a-n The Artists Information Company

Counter Investigations: Forensic Architecture at the Institute of Contemporary Arts, installation view. Photo: Mark Blower

Naeem Mohaiemen, Two Meetings and a Funeral (2017), three-channel digital video installation, Hesse Landesmuseum, Kassel, Documenta 14. Photo: Michael Nest

Charlotte Prodger, still from BRIDGIT, 2016. Single channel video with sound, 32 minutes. Photo: Thor Brodreskift; Courtesy: the artist, Koppe Astner, Glasgow, and Hollybush Gardens, London

Luke Willis Thompson, autoportrait, 2017. Installation view, Chisenhale Gallery 2017. Commissioned by Chisenhale Gallery and produced in partnership with Create. Photo: Andy Keate; Courtesy: the artist

Anne Hardy, Area of Overlap, 2018, super 16mm film transferred to digital projection with 6 channel (5.1) audio, 7:21 min. © Anne Hardy; Courtesy Maureen Paley, London

Courtesy: Jerwood Visual Arts

Laura Youngson Coll, Regimen, 2017. Courtesy: Jerwood Visual Arts. Courtesy: Jerwod Visual Arts

Kathryn Maple, 2017, Alone in the Desert. Courtesy: the artist and John Moores Painting Prize 2018

Matthew Krishanu, 2017, Mission School. Courtesy: the artist and John Moores Painting Prize 2018

Jo Bruton, 2016, Tassel Talk. Courtesy: the artist and John Moores Painting Prize 2018

Jeong, Seungjo, 2017, Interface L3. Courtesy: the artist and John Moores Painting Prize 2018

QSS on Bedford Street, Belfast. Photo: Damian Magee

Site of Paragon and PS2 at North Street, Belfast. Photo: Damian Magee

QSS Gallery, Belfast. Photo: Damian Magee

Carla Scott Fullerton, Glasshouse exhibtion, Glasgow Botanic Gardens. Photo: Carrie Foulkes

Urs Fischer Maybe (detail), 2018 2 x mechanical snails 13.3 x 5.5. x 6 cm 5.2 x 2.2 x 2.4 in Edition of 3 + 2 AP Photo: Patrick Jameson © Urs Fischer. Courtesy of the artist and The Modern Institute/Toby Webster Ltd, Glasgow

Installation View, Rosie O’Grady, May Day, House of an Art Lover, Glasgow International Festival 2018. Courtesy: the artist

Installation view, Nadia Myre, 'Code-Switching and Other Work,' curated by Mother Tongue. Courtesy Nadia Myre and Art Mûr. Photo: Ross Fraser McLean

Installation view, Mark Leckey, Nobodaddy at Tramway, Glasgow International 2018. Photo: Keith Hunter