Gillian Ayres, Zanj, woodcut on 75gsm Unryushi Japanese paper, paper and image 88.0x110.0cm, edition of 30, 2017. Courtesy: ALan Cristea Gallery
Gillian Ayres at her home along the North Devon Cornwall border in 2009. Photo: Mike Hoban
Hayley Harrison, Home is now, permanent marker on crisp packets (performance prop), 2018
Ollie Dook, Visit to the Zoo.
George Shire, performing the Ontological Turn, sonic performance and lecture, 7 July 2017, as part of ‘I’m not who you think I’m not #1’ public program in the lead up to the 10th Berlin Biennale for Contemporary Art Photo: F Anthea Schaap
Cathy Wilkes, Untitled, 76x122x2.5cm, oil on canvas, 2016. Courtesy: the artist and The Modern Institute/Toby Webster Ltd, Glasgow; Photo: Keith Hunter
Cathy Wilkes, Untitled (detail), dimensions variable, mixed media, 2017. Installation view of Cathy Wilkes, on view at MoMA PS1 from October 22, 2017 through March 11, 2018. Image courtesy: MoMA PS1; Courtesy: the Artist and The Modern Institute/Toby Webster Ltd, Glasgow; Photo: Pablo Enriquez
Cathy Wilkes, Untitled, dimensions variable, mixed media, 2012. Installation view of Cathy Wilkes, on view at MoMA PS1 from October 22, 2017 through March 11, 2018. Gift of the Speyer Family Foundation and Mrs Saidie A May (by exchange). Image courtesy: MoMA PS1; Courtesy: the Artist and The Modern Institute/Toby Webster Ltd, Glasgow; Photo: Pablo Enriquez
Ken Simons observes Graham Sutherland’s Entrance to a Lane, 1939. © Tate Liverpool, Roger Sinek