Aidan Moesby , Between Stillness and Storm, a previous Unlimited awarded installation work. Courtesy: Shape Arts
Amy Rosa, The WorkRoom, Tramway, July 2017. Photo: Brian Hartley
Installation view, Jerwood Drawing Prize 2017, Jerwood Space, London. Supported by Bath Spa University and Jerwood Charitable Foundation. Photo: Anna Arca
Melanie Jackson, Deeper in the Pyramid, 2018, installation view. Courtesy; artist. Photo; Patrick Dandy.
Outreach programme, The Next Term Festival
Jenny Saville, Study for Branded, 1982. © Jenny Saville. Courtesy; artist and Gagosian.
Tate Britain. (c) Tate photography.
Karen Cunningham, Deploying Culture, 2018, installation shot. Courtesy; artist and CAMPLE LINE. Photo; Image: Mike Bolam.
Mona Hatoum, Quarters, Installation view at Museum der bildenden Künste Leipzig, 2017.
© Mona Hatoum. Courtesy the artist and MdbK Leipzig. Photo: dotgain.info
Magali Reus, Hwael (The Flat), 2017. © Magali Reus. Courtesy The Approach, London. Photo: Plastiques.
Cerith Wyn Evans, ‘Forms in Space ... by Light (in Time)’, Tate Britain, London, 2017. Courtesy; artist. Photo; Joe Humphreys, Courtesy; Tate Photography.
Phillip Lai. Untitled, 2017. Courtesy; artist.
Michael Dean, Tender Tender, 2017. Courtesy; artist, Herald St, London, Supportico Lopez, Berlin and Mendes Wood, São Paulo. Photo; Henning Rogge.
Magali Reus, Arbroath Smokie, 2016. © Magali Reus. Courtesy; The Approach, London. Photo: Plastiques.
Vanalyne Green, Trick or Drink, 1984. Courtesy; artist and LUX, London.
Linder, You search but do not see, 1981-2010. Courtesy of Stuart Shave/Modern Art, Dependance, Andrehn Schiptjenko, Blum & Poe.