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Page 363 – a-n The Artists Information Company
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Helen Legg, New Director of Tate Liverpool. Photo: Yiannis Katsaris; Courtesy: Tate
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Screenshot of H&M’s Instagram story, taken by Jack Hutchinson
Screenshot of H&M’s Instagram story, taken by Jack Hutchinson
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Tom Krasny, “Spy Fever”, bronze, 2017. Courtesy; artist.
Tom Krasny, Spy Fever, bronze, 2017. Courtesy: the artist
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Thomas Bang, INTERLOPER 3, 2018. Plywood, textiles, leather, paint, iron, 207 x 102 x 74 cm.
Thomas Bang, INTERLOPER 3, 2018. Plywood, textiles, leather, paint, iron, 207 x 102 x 74 cm.
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Yinka Shonibare. Photo: James Mollison / Courtesy of James Cohan, New York
Yinka Shonibare. Photo: James Mollison / Courtesy of James Cohan, New York
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Taus Makhacheva, On the Benefits of Pyramids in Cultural Education, Strenghtening of National Consciousness, and the Formation of Moral and Ethical Guideposts, 2015. Performance at 6 Moscow Biennale of Contemporary Art. Photo: Ivan Erofeey.
Taus Makhacheva, On the Benefits of Pyramids in Cultural Education, Strenghtening of National Consciousness, and the Formation of Moral and Ethical Guideposts, 2015. Performance at 6 Moscow Biennale of Contemporary Art. Photo: Ivan Erofeey.
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0. Francis Alÿs, Outskirts of Mosul, 2016
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Ryan Gander, Time Moves Quickly (workshop), 2018. Courtesy; artist.
Ryan Gander, Time Moves Quickly (workshop), 2018. Courtesy; artist.
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Dale Harding, Ngaya boonda yinda nayi yoolgoogoo / I carry you in my heart, 2016. Courtesy; the artist and Milani Gallery, Brisbane. Photo: Carl Warner.
Dale Harding, Ngaya boonda yinda nayi yoolgoogoo / I carry you in my heart, 2016. Courtesy; the artist and Milani Gallery, Brisbane. Photo: Carl Warner.
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Mohamed Bourouissa, Resilience Garden (sketch), 2018. Image courtesy the artist and Kamel Mennour, Paris/London © ADAGP, Paris, 2018.
Mohamed Bourouissa, Resilience Garden (sketch), 2018. Image courtesy the artist and Kamel Mennour, Paris/London © ADAGP, Paris, 2018.
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Mae-ling Lokko, Window, CASE Chale Wote Upcycling Pavilion, 2016. Photo Elaine Zhang.
Mae-ling Lokko, Window, CASE Chale Wote Upcycling Pavilion, 2016. Photo Elaine Zhang.
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Francis Alÿs, Green Line, 2004. Courtesy; artist.
Francis Alÿs, Green Line, 2004. Courtesy; artist.
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Agnes Varda, Ulysse (film still), 1982.
Agnes Varda, Ulysse (film still), 1982.
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Holly Hendry, Homeostasis, 2014. Installation view at Courtyard C, Sharjah Art Foundation. Courtesy; artist.
Holly Hendry, Homeostasis, 2014. Installation view at Courtyard C, Sharjah Art Foundation. Courtesy; artist.
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Sabe Lewellyn, How Curious! How Real!, 2016. Courtesy; artist.
Sabe Lewellyn, How Curious! How Real!, 2016. Courtesy; artist.
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Sam Gonçalves, Intimacy without relationship, video still, 2018. Courtesy; artist.
Sam Gonçalves, Intimacy without relationship, video still, 2018. Courtesy; artist.
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'The Land We Live In – The Land We Left Behind', Installation view, Hauser & Wirth Somerset, 2018
Photo: Ken Adlard
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Jerwood Drawing Prize 2017, installation view, Edge Arts, Bath. Courtesy: Edge Arts
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44AD artspace, Bath, call out for Open Printmaking Exhibition 2018
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Contains Art, Watchet, Somerset. Courtesy: Contains Art