Cover of Why Collect? report commissioned by Art Fund and Wolfson Foundation, 2018. Image shows Cornelia Parker, The Folkestone Mermaid, 2011, Folkestone Artworks, courtesy of Creative Foundation and Visit Kent
Dora Carrington, Spanish Landscape with Mountains, c.1924. Copyright: Tate
Mark Dion, Tate Thames Dig, 1999, Wooden cabinet, porcelain, earthenware, metal, animal bones, glass and 2 maps, 266 x 370 x 126 cm. Installation view of Mark Dion: Theatre of the Natural World at Whitechapel Gallery, London, 2018. Photo: Jeff Spicer/PA Wire
Eloise Hawser: By the deep, by the mark, Somerset House, London. Installation view. Courtesy: Somerset House
Iman Issa, Material for a sculpture representing a monument erected in the spirit of defiance of a larger power, 58 x 58 x 150 cm, wooden sculpture, plinth, vinyl text on wall, 2012. Photo: Benoit Pailley; Courtesy: The New Museum, New York
Caravan Gallery, Sneinton Pride of Place Project at the Hermitage. Photo: The Caravan Gallery
Yeondoo Jung, Theatre of Victory, 2018, C-print, featured in The Real DMZ, New Art Exchange, Nottingham. Courtesy: New Art Exchange
Melanie Jackson, Deeper in the Pyramid, 2018
Sneinton Pride of Place Project at Sneinton Market Photo: The Caravan Gallery (1)
Sophie Jung Thusly at Primary. Photo: Reece Straw
SheAfriq. Photo: Louise Clutterbuck
Nottingham Contemporary Photo: Caruso St John
Stuart Semple, Hostile Design in Bournemouth. Copyright: Stuart Semple
Stuart Semple, Hostile Design in Bournemouth. Copyright: Stuart Semple
