Page 384 – a-n The Artists Information Company

Ed Kluz, The Bridge Cottage Devon, 2017. Courtesy the artist and YSP

Fifteen, Kate MacGarry, 2017, installation view

Image courtesy of Laure Prouvost and Grizedale Art. See: The Land We Live In – The Land We Left Behind

Richard Long, River Avon Mud Circle, 2011. Installation view as part of ‘Berlin Circle’, Nationalgalerie at Hamburger Bahnhof, 2012. Photo: Alex Evans

Elizabeth Willow, Some things (to comfort you), letterpress printed artist's book

Elizabeth Willow, Waving at the Queen, letterpress printed artist's book

Elizabeth Willow, Goosegogs, letterpress printed artist's book

Elizabeth Willow, A dissimulation of birds, miniature artist's book (25 x 35 mm)

Elizabeth Willow, The Reverend Hodgson has a small daydream, artist’s book with found imagery and covers

Jaime Jackson, Twitter post, 2017

Barby Asante, As Always a Painful Declaration of Independence. For Ama. For Aba. For Charlotte and Adjoa - Intimacy and Distance, Diaspora Pavilion, May - November 2017. Photo: Jessica Taylor

Barby Asante, As Always a Painful Declaration of Independence. For Ama. For Aba. For Charlotte and Adjoa - Intimacy and Distance, Diaspora Pavilion, May - November 2017. Photo: Nicky Bird

Barby Asante with installation image from The Queen and the Black Eyed Squint, Baltic Centre for Contemporary Arts, November 2017 Photo: Edgar Arceneaux

Open School East co-directors Anna Colin (centre) and Laurence Taylor (right), with Ayaan Bulale, OSE communications and events manager

Rose Wylie, Installation view, 'Quack Quack' Serpentine Sackler Gallery, London (30 November 2017 – 11 February 2018). Photo: © 2017 Mike Din