Clare Woods, The Dementor, 2017, Oil on aluminium, 300 x 200 cm. Courtesy of the artist and Simon Lee Gallery London / Hong Kong
Clare Woods, Something Bigger, 2017, Oil on aluminium, 300 x 200 cm. Courtesy: the artist and Simon Lee Gallery London / Hong Kong
Margaret Tait on set of Blue Black Permanent, 1992. Courtesy of Orkney Library and Archive.
Bermuda Collective, Alcoholism '65, 2016. Exhibited in The Future as part of Coventry Biennial of Contemporary Art. Photo: Gavin Rogers
James Faure Walker Artist Talk at Holyhead Studios as part of his solo exhibition at Class Room, 2017. Photo: Emily Jones
Kaleidoscope: Colour and Sequence in 1960's British Art, Mead Gallery, Warwick Arts Centre. Photo: Fiona Venables
'Temporal Frequencies', round table discussion at City Arcadia. Photo: Laurence Price
Open Citizens, Ludic Rooms. Photo: Andy Moore
Charley Peters, Editor Suite, 2017. Exhibited in The Future as part of Coventry Biennial of Contemporary Art. Photo: Emily Jones
The Silver Building, studio. Photo: Jack J Hutchinson
The Silver Building, artists' studios, London
The Silver Building, artists' studios, London
Hen Run, Glasgow School of Art, following the 2014 fire. Photo: Alan McAteer
Hen Run, Glasgow School of Art, after refurbishment
Feest by Anna Bean, part of the Turner Prize’s Turner // Return public engagement programme. Photo: Anna Bean