Bristol Visual Arts Review, public consultation on visual arts in Bristol, MShed, Bristol, 15 November 2017. Photo: courtesy of #wedontneedgatekeepers
Hanna Tuulikki, Sing Sing, a close duet, 2015. Courtesy: the artist. Photo: Robin Gillanders
John Piper, Beach with Starfish, c.1933-4. Gouache, printed paper and ink on paper, 380 x 485 mm. Tate, presented by Lady (Charlotte) Bonham Carter, 1988
Screengrab from Drip website
Gavin Turk mug shot. Courtesy: Skip Gallery
David Bomberg, Jerusalem City and Mount of Ascension, 1925, Ferens Art Gallery, Hull. Copyright: The Estate of David Bomberg
Emma Mills, Kickarse, 2017
Rendering of Camberwell Space. Image: Stephen Marshall Architects
Terence Birch, Stains of a Sickening, Sexy, Spectre, 2005
Terence Birch, Portrait of the Artist (after Degas), 2005
Terence Birch, Virtuous Circle, 2010. Courtesy: Shape Arts
Symposium programme, What should white culture do? Art, Politics, Race', Royal College of Art, London, 11 November 2017. Photo: Art on the Underground
César Dezfuli, portrait of Amadou Sumaila, migrant rescued in the Mediterranean Sea off the Libyan coast, winner of the Tenth Anniversary Taylor Wessing Photographic Portrait Prize 2017. © César Dezfuli
Dr Yasmin Gunaratnam speaking at 'What should white culture do? Art, Politics, Race', Royal College of Art, London, 11 November 2017.
Photo: Art on the Underground
Artist Jade Montserrat speaking at 'What should white culture do? Art, Politics, Race', Royal College of Art, London, 11 November 2017.
Photo: Art on the Underground
Sir James Guthrie HRA PPRSA HRHA (1859-1930), Midsummer, 1892. Oil on canvas, 101.8 x 126.2cm. Royal Scottish Academy of Art & Architecture (Diploma Collection), RSA Diploma Deposit, 1893. Image credit: Andy Phillipson