Winter Craft Market at Ikon, poster
ceramicsbytiz, Ornamental bowl, 2017
Neill Clements, Foreshore, 2017
Chris Lloyd/kitbooks, New Machines Coming Soon, screenprinted edition, 2017
Aaron Cohick/NewLights Press, Alphabet One: A Submanifesto of the NewLights Press, 2017. Photo: NewLights Press
ceramicsbytiz, Reindeer hanging, 2017
Isabel Dickinson, Natures Blend Sponged Underglaze Bowl, 2017
Peter Cusack, Sounds from Dangerous Places
Lucinda Grange, On the Face of Danger
Susan Collins, Glenlandia
Layla Curtis, The Thames from London Bridge Arizona to Salt Island British Virgin Islands
Fiona Masterton, ‘Scar land’, Photographic digital montage collaged onto board and embellished with oil paint, 2017. Courtesy; artist.
Fiona Masterton, Abstract City 46 x 46 cm - Digital Montage and Oil Paint on Canvas, 2017. Courtesy; artist.
Fiona Masterton, Untitled (1) from The Urban Desire series – 24 x 25 cm Photographic transfer, oil paint and marble dust on found wood, 2015. Courtesy; artist.
Ahmed Rabbani, Untitled (Binoculars Pointing at the Moon), 2016, work on paper. Courtesy: Art from Guantanamo Bay exhibition
Charles Hancock with Newlyn Art Gallery & The Exchange staff: (L to R) Bettina Wenzel, Tamsin Young, James Green, Kathy Hill, Charles Hancock, Blair Todd, Megan Beck and Simon Jaques. Copyright: Lee Searle Photography.
Jan delivering work to the Bowes Museum 2017
Oreet Ashery, 'Revisiting Genesis', solo exhibition, Stanley Picker Gallery, 2016. Image copyright of the artist; courtesy of the artist
Oreet Ashery, Revisiting Genesis web series, video still, Episode 5, 2016. Image copyright of the artist; courtesy of the artist
Negotiating with Confidence workshop led by Rivca Rubin and supported by a-n as part of Assembly Leeds, June 2017. Photo: Richard Taylor