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THE EDGE PARALLEL (OF LIFE AND ARCHITECTURE-1
Assemble and Simon Terrill, The Ostrich and the Kipper, 2017, installation view, 'Parallel (of Life and) Architecture, The Edge, Bath. Courtesy: The Edge
Page 401 – a-n The Artists Information Company
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Chaim Soutine, Bellboy c.1925. Copyright: Courtauld Gallery, Centre Georges Pompidou
Chaim Soutine, Bellboy c.1925. Copyright: Courtauld Gallery, Centre Georges Pompidou
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Susan Philipsz, A Single Voice, 2017. Photo: Franziska Sinn, Image courtesy Bonniers Konsthall
Susan Philipsz, A Single Voice, 2017. Photo: Franziska Sinn, Image courtesy Bonniers Konsthall
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Tracey Emin, Loving You More. Neon, 35.8 by 140 cm.; 14 by 55 in. Executed in 2015, this work is one of three artist’s proofs aside from the edition of 10.
Tracey Emin, Loving You More. Neon, 35.8 by 140 cm.; 14 by 55 in. Executed in 2015, this work is one of three artist’s proofs aside from the edition of 10.
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london copy.jpgtw
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How it your organisation responding to local authority cuts? Courtesy: Arts Professional
How it your organisation responding to local authority cuts? Courtesy: Arts Professional
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What effect are the cuts having on the wider sector? Courtesy: Arts Professional
What effect are the cuts having on the wider sector? Courtesy: Arts Professional
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How is your local authority responding to cuts?
How is your local authority responding to cuts? Courtesy: arts Professional
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Claudia Rankine
Claudia Rankine, 2016 MacArthur Fellow, New York, New York, September 7, 2016. Photo: John D. & Catherine T. MacArthur Foundation, licensed under a Creative Commons license: CC-BY
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Bedwyr Williams, Hypocaust, 2017.
Bedwyr Williams, Hypocaust, 2017.
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Bedwyr Williams, Hypocaust, 2017.
Bedwyr Williams, Hypocaust, 2017.
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Bedwyr Williams, Hypocaust, 2017.
Bedwyr Williams, Hypocaust, 2017.
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Bedwyr Williams
Bedwyr Williams.
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Paula Rego, Self Portrait III, 2007. Pastel on paper (c) the artist. Photo (c) Marlborough Fine Art, London
Paula Rego, Self Portrait III, 2007. Pastel on paper. Copyright: the artist. Photo copyright: Marlborough Fine Art, London
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Lothar Götz, installation view at Leeds Art Gallery. Courtesy: Leeds Art Gallery
Lothar Götz, installation view at Leeds Art Gallery. Courtesy: Leeds Art Gallery
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Ilya Kabakov The Man Who Flew Into Space From His Apartment, 1985. Centre Georges Pompidou, Paris. Musée national d’art moderne/Centre de Création industrielle. Purchase, 1990. Copyright: Ilya & Emilia Kabakov
Ilya Kabakov The Man Who Flew Into Space From His Apartment, 1985. Centre Georges Pompidou, Paris. Musée national d'art moderne/Centre de Création industrielle. Purchase, 1990. Copyright: Ilya & Emilia Kabakov
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Lubaina Himid, Le Rodeur: The Lock, 2016. Acrylic on canvas, 183 x 244 cm. Courtesy the artist and Hollybush Gardens. Photo credit: Andy Keate
Lubaina Himid, Le Rodeur: The Lock, 2016. Acrylic on canvas, 183 x 244 cm. Courtesy the artist and Hollybush Gardens. Photo credit: Andy Keate
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Mark Leckey, Installation view, UniAddDumThs, 2013-15. Mixed media, dimensions variable. Containers and Their Drivers, MOMA PS1, New York, 23 October 2016 – 5 March 2017. Courtesy the Artist and Cabinet, London
Mark Leckey, Installation view, UniAddDumThs, 2013-15. Mixed media, dimensions variable. Containers and Their Drivers, MOMA PS1, New York, 23 October 2016 - 5 March 2017. Courtesy the Artist and Cabinet, London
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Joseph Buckley, Better Clone Sons, 2017. Plywood, epoxy putty, acrylic resin plastic, plexiglass spheres, synthetic hair, platinum cure silicone rubber, spray paint, vinyl gloves, 208 x 199 x 7 cm. Photo credit: Jules Lister
Joseph Buckley, Better Clone Sons, 2017. Plywood, epoxy putty, acrylic resin plastic, plexiglass spheres, synthetic hair, platinum cure silicone rubber, spray paint, vinyl gloves, 208 x 199 x 7 cm. Photo credit: Jules Lister
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Linder, Post-mortem – Tamara (i), 2016. Photomontage. Image copyright of the artist and courtesy Stuart Shave/Modern Art, London
Linder, Post-mortem - Tamara (i), 2016. Photomontage. Image copyright of the artist and courtesy Stuart Shave/Modern Art, London
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Helen Cammock, Re-enactment
Helen Cammock, Re-enactment, screenprint from the series Slide Re-enactment, 2017. Courtesy: Helen Cammock