Kurt Schwitters. Merz Barn Wall. Image © Hatton Gallery, 2017. Photo: Colin Davison.
Kurt Schwitters. Merz Barn Wall. Image © Hatton Gallery, 2017. Photo: Colin Davison.
'Humble As Hell', exhibition view, 2017. Photo: Roland Hicks
Nicky Hirst, EWE RATTLER, 2017. Photo: Roland Hicks
Jane Hall (Assemble) and Simon Terrill, pictured with their installation The Ostrich and the Kipper, 2017, part of 'Parallel (of Life and) Architecture', The Edge, Bath. Courtesy: The Edge
Assemble and Simon Terrill, The Ostrich and the Kipper, 2017, installation view, 'Parallel (of Life and) Architecture, The Edge, Bath. Courtesy: The Edge
Chaim Soutine, Bellboy c.1925. Copyright: Courtauld Gallery, Centre Georges Pompidou
Susan Philipsz, A Single Voice, 2017. Photo: Franziska Sinn, Image courtesy Bonniers Konsthall
Tracey Emin, Loving You More. Neon, 35.8 by 140 cm.; 14 by 55 in. Executed in 2015, this work is one of three artist’s proofs aside from the edition of 10.
How it your organisation responding to local authority cuts? Courtesy: Arts Professional
What effect are the cuts having on the wider sector? Courtesy: Arts Professional
How is your local authority responding to cuts? Courtesy: arts Professional
Claudia Rankine, 2016 MacArthur Fellow, New York, New York, September 7, 2016. Photo: John D. & Catherine T. MacArthur Foundation, licensed under a Creative Commons license: CC-BY
Bedwyr Williams, Hypocaust, 2017.
Bedwyr Williams, Hypocaust, 2017.
Bedwyr Williams, Hypocaust, 2017.
Paula Rego, Self Portrait III, 2007. Pastel on paper. Copyright: the artist. Photo copyright: Marlborough Fine Art, London
Lothar Götz, installation view at Leeds Art Gallery. Courtesy: Leeds Art Gallery
Ilya Kabakov The Man Who Flew Into Space From His Apartment, 1985. Centre Georges Pompidou, Paris. Musée national d'art moderne/Centre de Création industrielle. Purchase, 1990. Copyright: Ilya & Emilia Kabakov