Page 404 – a-n The Artists Information Company
Lubaina Himid, Le Rodeur: The Lock, 2016. Acrylic on canvas, 183 x 244 cm. Courtesy the artist and Hollybush Gardens. Photo credit: Andy Keate
Mark Leckey, Installation view, UniAddDumThs, 2013-15. Mixed media, dimensions variable. Containers and Their Drivers, MOMA PS1, New York, 23 October 2016 - 5 March 2017. Courtesy the Artist and Cabinet, London
Joseph Buckley, Better Clone Sons, 2017. Plywood, epoxy putty, acrylic resin plastic, plexiglass spheres, synthetic hair, platinum cure silicone rubber, spray paint, vinyl gloves, 208 x 199 x 7 cm. Photo credit: Jules Lister
Linder, Post-mortem - Tamara (i), 2016. Photomontage. Image copyright of the artist and courtesy Stuart Shave/Modern Art, London
Helen Cammock, Re-enactment, screenprint from the series Slide Re-enactment, 2017. Courtesy: Helen Cammock
Mandy El-Sayegh, betwixt, wood emulsion, boat varnish, glass, felt, resin, Financial Times, The Evening Standard, latex, pigment, paper, India ink, marker, MDF, acrylic, animal hide and correction fluid in stainless steel vitrine table, 125x155x80cm, 2016. Photo: Alexandru Paul; Courtesy: the artist
Lis Rhodes, film still from Journal of Disbelief, 2016. Courtesy: the artist
Athena Papadopoulos, Natural Instincts, installation view, curated by Samuel Leuenberger, Les Urbaines, Lausanne, Switzerland, 2015. Courtesy: the artist, Les Urbaines, and Emalin, London
Eloise Hawser, 100 keV, vinyl and x-ray of a HGV Truck scanned crossing the border, 2014, installation view of Don't you know who I am at MuHKA (Museum of Contemporary Art) Antwerp. Photo: Christine Clinck
Céline Condorelli, Average Spatial Compositions, installation view at Henie Onstadt Museum, Oslo, 2015. Photo: Øystein Thorvaldsen / HOK; Courtesy: Celine Condorelli
Helen Cammock, Re-enactment, screenprint from the series Slide Re-enactment, 2017. Courtesy: Helen Cammock
A quote from Richard Jones of Tangent Books, Bristol composed in metal type for the artist’s book
Twitter postings and responses for the Making Books in Bristol project’s public discussions, some of which will included in the book
A set of keepsake stamps printed by Alan Brignull (Hedgehog Press) to commemorate Bristol based printer William R. Brace - founder of the British Printing Society, 2016 which will be in the book
Angie Butler in her studio, selecting printing materials for the book from Bristol-based paper supplier Arboreta Papers
'No Man's Land', exhibition view. Courtesy: Impressions Gallery, Bradford
Oli Epp, Aftersun. Shortlisted for the Griffin Art Prize 2017. Courtesy: the artist and Griffin Art Prize
Nicola Tyson, The Gaze, 2015
Graphite on paper, 19.1 x 19.1cm
Courtesy of the artist and Petzel, New York