The Grand Drawing Room at Cliffe Castle, where Desire Machine Collective's sound installation plays
Liza Dracup, 'Field Work', exhibition view. Courtesy: Impressions Gallery, Bradford
Gallery at 49 Darley Street, Bradford
Work by Wur Bradford, Gallery II
Bowater House, Golden Lane Estate, London EC1Y 0RJ. Photo: Emma Matthews
Jeremy Deller and Fraser Muggeridge. Spectres of Modernism banner
Fiona Banner. Spectres of Modernism banner
Cornelia Parker. Spectres of Modernism banner
Bowater House, Golden Lane Estate, London EC1Y 0RJ. Photo: Charles Humphries
Bowater House, Golden Lane Estate, London EC1Y 0RJ. Photo: Charles Humphries
Mira Calix, by beings in two places @ once (2017), installation view, Coventry Biennial 2017. Photo: Selina Oakes
Emily Speed, Rooms Designed for a Woman (2017), Coventry Biennial 2017. Photo: Selina Oakes
Holly Rowan Hesson, No More Disco, installation view, Coventry Biennial 2017. Photo: Selina Oakes
Gregory Herbert, Untitled,(2017), installation view, Coventry Biennial 2017. Photo: Selina Oakes
Hipkiss and Graney, Dead Shrines Project, installation view, Coventry Biennial. Photo: Selina Oakes
Bowater House, Golden Lane Estate, London EC1Y 0RJ. View from Fann Street, EC1
Grace Ndiritu, Still Life / Textiles - White Textiles, 2005-07. Courtesy: Lux and the artist
Bob and Roberta Smith, I BELIEVE IN JOSEPH MALLARD WILLIAM TURNER, 1998. Gloss paint on wood panel, 162.5 x 122.5 cm. British Council Collection. Copyright: Bob and Roberta Smith
Raqs Media Collective, Re-run, 2013