Page 411 – a-n The Artists Information Company

Thijs Biersteker (in collaboration with Plastic Soup Foundation, Front404 and Better Future Factory), Plastic Reflectic.

A volunteer hands out copies of Tania Kovats' work Dirty Water. Photo: Jack Hutchinson

A volunteer hands out copies of Tania Kovats' work Dirty Water. Photo: Jack Hutchinson

Tania Kovats hands out copies of her work Dirty Water. Photo: Jack Hutchinson

AirSpace Gallery, Stoke-on-Trent. Photo: Glen Stoker

Award 2015, China Hall, original Spode factory. Photo: © Joel Fildes for British Ceramics Biennial

The ArtCity launch event, Stoke-on-Trent, September 2014. Photo: Trevelyan Wright

Acava Studios Spode Works

Katriona Beales, Are We All Addicts Now?, installation view, Furtherfield Gallery, London. Photo: Pau Ros; Courtesy: the artist and Furtherfield

Katriona Beales, Are We All Addicts Now?, installation view, Furtherfield Gallery, London. Photo: Pau Ros; Courtesy: the artist and Furtherfield

Katriona Beales, Are We All Addicts Now?, installation view, Furtherfield Gallery, London. Photo: Pau Ros; Courtesy: the artist and Furtherfield

Katriona Beales, Are We All Addicts Now?, installation view, Furtherfield Gallery, London. Photo: Pau Ros; Courtesy: the artist and Furtherfield

Antony Gormley, Another Time, 2017. Photo: Stephen White

Alexander Missen, from the series Q&A. Copyright: Alexander Missen

Käthe Kollwitz, Woman with Dead Child, 1903. Soft ground etching. The Henry Barber Trust. Copyright: The Barber Institute of Fine Arts, University of Birmingham

Bernard Piffaretti, Untitled, 2013. Courtesy: Kate MacGarry

Rachel Whiteread Chicken Shed 2017. Courtesy the artist © Rachel Whiteread. Photo: Courtesy Tate photography

Self Portrait with Cine Camera