Page 427 – a-n The Artists Information Company
Jonathan Baldock, Eye Staring, 2010-14. Ceramic, clay, glass eye, paint. Courtesy the artist and Belmacz. Photo: Matthew Hollow
Sol Calero, La escuela del sur, installation view, 2015. A Studio Voltaire commission. Courtesy: the artist and Laura Bartlett Gallery, London; Photo: Andy Keate
House of Voltaire, installation view, 2014. Photo: Francis Ware
House of Voltaire, 31 Cork Street, Mayfair, London, 18 November -18 December 2016. Courtesy: Studio Voltaire; Photo: Francis Ware
Nicole Eisenman, ‘Tis but a scratch’ ‘A scratch?! Your arm’s off!’ ‘No, it isn’t’, installation view. Courtesy: the artist and Studio Voltaire, London
Ella Kruglyanskaya, How to work together, installation view, 2014. Courtesy: the artist and Studio Voltaire, London; Photo: Andy Keate
Susan Collis, 'When we loved you best of all', installation view, Touchstones Gallery, Rochdale. Courtesy: Touchstones Gallery
Susan Collis. Courtesy: the artist.
Susan Collis, 'When we loved you best of all', installation view, Touchstones Gallery, Rochdale. Courtesy: Touchstones Gallery
Susan Collis, 'When we loved you best of all', installation view, Touchstones Gallery, Rochdale. Courtesy: Touchstones Gallery
Susan Collis, 'When we loved you best of all' (Gallery Three), composite installation of various works. Courtesy of Touchstones Rochdale Art Gallery
Susan Collis, 100% Cotton, 2004. Overalls & embroidery threads. Private Collection. Featured in the exhibition 'When we loved you best of all' (Gallery One). Courtesy: Touchstones Rochdale Art Gallery
Susan Collis, By the way, detail, 2016, Vinyl & chair. Private Collection. Featured in exhibition 'When we loved you best of all'. Courtesy: Touchstones Rochdale Art Gallery
Susan Collis, Remainder, 2017, Graphite on paper, featured in 'When we loved you best of all'. Courtesy: Touchstones Rochdale Art Gallery
Susan Collis, 'When we loved you best of all' (Gallery Three), installation view. Courtesy: Touchstones Rochdale Art Gallery
Susan Collis, 'When we loved you best of all' (Gallery One), installation view. Courtesy: Touchstones Rochdale Art Gallery
Douglas Gordon, Black Burns (in progress), 2017. Life size replica based upon John Flaxmans Robert Burns sculpture at SNPG. Black Marquinia marble, Height 1.85m. Copyright: Studio lost but found / VG Bild-Kunst, Bonn 2017. Photo Studio lost but found / Francesco Paterlini. Courtesy Studio lost but found, Berlin and Gagosian