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BA Fine Art Degree Show, 'Reverberate', 2017, University of Kent. Photo: Matt Bray
Page 434 – a-n The Artists Information Company
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Adam Newton, Ebb. 2017, Rochester Art Gallery, Photo: Adam Newton
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Luiza Jordan, Installation, 2017,
Luiza Jordan, Installation, 2017, Chatham Dockyard. Photo: Matt Bray
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roses
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chapter 5
works in progress
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Champ, HEY! TEACHER! – a workshop in methods of alternative education at Assembly Bristol, Thursday 8 June 2017. Photo: Rich Broomhall.
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Cobalt Studios, Newcastle-upon-Tyne, during Assembly Newcastle. Photo: Nigel John.
Cobalt Studios, Newcastle-upon-Tyne, during Assembly Newcastle. Photo: Nigel John.
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Double Yoke presenting at Assembly Newcastle during Here and now session at The NewBridge Project, Newcastle-upon-Tyne. Photo: Nigel John.
Double Yoke presenting at Assembly Newcastle during Here and now session at The NewBridge Project, Newcastle-upon-Tyne. Photo: Nigel John.
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'True Faith' exhibition, installation view, Manchester Art Gallery, 30 June - 3 September 2017. Photo: Michael Pollard; Courtesy: Manchester International Festival
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Amanda Baron, Shadow White
Amanda Baron, Shadow White, kiln fired enamel and silver nitrate on mouth blown glass
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In the Cage frame 23
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Michael Joo, Stubbs (Absorbed). Photography: Steve Russell Studios. Courtesy of Gallery Pangolin
Michael Joo, Stubbs (Absorbed). Photography: Steve Russell Studios. Courtesy of Gallery Pangolin
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Maurice Carlin presenting his work during Artists, spaces and places – at Cobalt Studios, part of Assembly Newcastle. Photo: Nigel John.
Maurice Carlin presenting his work during Artists, spaces and places – at Cobalt Studios, part of Assembly Newcastle. Photo: Nigel John.
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Liza Dracup, Untitled from the series Sharpe’s Wood, 2007. Copyright: Liza Dracup
Liza Dracup, Untitled from the series Sharpe’s Wood, 2007. Copyright: Liza Dracup
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Rivca Rubin’s Negotiating with confidence workshop at East Street Arts, part of Assembly Leeds, Friday 30 June. Photo: Richard Taylor.
Rivca Rubin’s Negotiating with confidence workshop at East Street Arts, part of Assembly Leeds, Friday 30 June. Photo: Richard Taylor.
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Lubaina Himid, Naming the Money, 2004. Fife-size painted cut-out plywood figures, audio. Loaned by the National Museums Liverpool, International Slavery Museum, and the artist. Photo: Spike Island
Lubaina Himid, Naming the Money, 2004. Life-size painted cut-out plywood figures, audio. Loaned by the National Museums Liverpool, International Slavery Museum, and the artist. Photo: Spike Island
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Chris Ofili, Union Black, 2003. Woven polyester with rope and toggle, 130 x 267 cm, 51 1/8 x 105 1/8 in. © Chris Ofili. Courtesy the artist and Victoria Miro, London.
Chris Ofili, Union Black, 2003. Woven polyester with rope and toggle, 130 x 267 cm, 51 1/8 x 105 1/8 in. © Chris Ofili. Courtesy the artist and Victoria Miro, London.
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Hand and Mind, 2017. Curated by Vanessa Boni. (Photo credit: Patrick Dandy)
Hand and Mind, 2017. Curated by Vanessa Boni. (Photo credit: Patrick Dandy)
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Garage Northlight
Garage Northlight
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Karst. Courtesy Karst
Karst. Courtesy Karst
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Richard Wilson and Zatorski + Zatorski _ credit_ Bernard G Wills
Richard Wilson and Zatorski + Zatorski, 51° 21’ 45″ N, 1° 01’ 13″ E: Whitstable Sounding Rockets and Blue lights (close at hand) to warn steam boats of shoal water, 2014. Image: Bernard G Wills
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A visitor stops to admire Afternoon, 1998-99, by Howard Hodgkin. Howard Hodgkin: Painting India, 1 July – 8 Oct 2017 at The Hepworth Wakefield. Image Guzelian/The Hepworth Wakefield
Picture By Darren O'Brien/Guzelian
Picture Shows Afternoon 1998/99 by Howard Hodgkin. Oil on board.
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Hepworth Wakefield by Marc Atkins / Art Fund 2017
Hepworth Wakefield by Marc Atkins / Art Fund 2017