Page 440 – a-n The Artists Information Company

Kate Bernstein, The Painter’s Daughter, 2017. Screenprint on Somerset paper, bound in folded Somerset paper

Kate Bernstein, Uccello’s Woman, 2015/16. Relief print, pastel, pierced pages, unique book bound in red leather, blind tooled in diadem design

Kate Bernstein, Uccello’s Formula, Siena (III), 2016. Screenprint and monoprint on Simili Japon paper, soft bound in printed book cloth with leather spine

Kate Bernstein, Perspectives, 2017. Detail of screenprint on Somerset paper from edition of 2 folios each with 9 prints of which 5 are unique

Kate Bernstein, Uccello’s Beautiful Battle, 2016. A variable edition of two, screenprint on Simili Japon, bound in book cloth with raised design

Students modelling clay, 1958. Courtesy and © Local Studies Library, London Borough of Waltham Forest

Rabbits Road Press Open Day. Photo: courtesy Steph Jed

Ian Dury (1942–2000), Please No Guns, 1963–5, Graphite and pencil, 76 x 56 cm © The Estate of Ian Dury

Degree show 2016, Wimbledon College of Arts. Courtesy: Edwina fitzPatrick

Peer learning, Wimbledon College of Arts. Courtesy: Edwina fitzPatrick

Peter Blake, Self-Portrait with Badges, 1961, Oil paint on board, 174.3 x 121.9 cm. © Sir Peter Blake, All rights reserved, DACS 2017. Photo: courtesy and © Tate, London 2017

Outside the Postgraduate studio, Wimbledon College of Arts. Courtesy: Edwina fitzPatrick

Derek Boshier, Smile, 1968, Ink drawing on paper 19 x 15 cm. Courtesy: © The artist and Gazelli Art House

Walker Evans, Erosion, Mississippi, 1936. Silver gelatin print, 25 x 20 cm, Library of Congress press photograph. Collection David Campany

Simon Newby, Outpost, Norwich, installation view. Photo: Glen Jamieson

Wolfgang Tillmans. Photo: Karl Kolbitz, 2012; Courtesy: Maureen Paley, London

Seecum Cheung, The Dutch Window, single channel video, 2017. Courtesy; artist. Photo; Patrick Dandy.

Flow Map Drawing.