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Thomas_Tyler_low-Res_Install
Thomas Tyler, installation view, 2017, Teesside University. Courtesy: the artist http://www.thomastyler.co.uk
Page 448 – a-n The Artists Information Company
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Teesside_Jen_Chapman_Performance still 2017
Jen Chapman, performance still, 2017, Teesside University. Courtesy: Teesside University
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Mitchell Kehe, Hat, 2015, Found fabric and masking tape on shaped MDF and cardboard, 60 x 60 x 13 cm, Courtesy of the artist
Mitchell Kehe, Hat, 2015, Found fabric and masking tape on shaped MDF and cardboard, 60 x 60 x 13 cm, Courtesy of the artist
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Oliver McConnie, Dance of Death, 2016, Hand coloured relief etching, 12x16cm
Oliver McConnie, Dance of Death, 2016, Hand coloured relief etching, 12x16cm
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John Bourne, The Philosophy of the Dream, 2017, Oil on gesso on plywood, 22 x 19 cm
John Bourne, The Philosophy of the Dream, 2017, Oil on gesso on plywood, 22 x 19 cm
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Joe Fletcher Orr, A friendly name for a fool, 2016, Neon, 130cm x 50cm, Courtesy Ryan Gander
Joe Fletcher Orr, A friendly name for a fool, 2016, Neon, 130cm x 50cm, Courtesy: Ryan Gander
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Gernot Wieland, Thievery and Songs (Still Frame), 2016, 22ÔÇÖ 40ÔÇÖÔÇÖ, Courtesy the artist
Gernot Wieland, Thievery and Songs (Still Frame), 2016, 22ÔÇÖ 40ÔÇÖÔÇÖ, Courtesy the artist
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David Berweger, Patiently I Expect the Other Day to Cut Things Short, 2014, Pigment, plaster powder, 180 x 110 x 1cm
David Berweger, Patiently I Expect the Other Day to Cut Things Short, 2014, Pigment, plaster powder, 180 x 110 x 1cm
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Catherine Large, Strange Things Collection, 2013-2015, Sterling silver. various metals, plastic, glass, Photograph by Michelle Bowden
Catherine Large, Strange Things Collection, 2013-2015, Sterling silver. various metals, plastic, glass, Photograph by Michelle Bowden
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Alyona Larionova, Across Lips (Still Frame), 2016, Video (colour, sound), 11 min, Courtesy the artist
Alyona Larionova, Across Lips (Still Frame), 2016, Video (colour, sound), 11 min. Courtesy: the artist
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._1. Alyona Larionova, Across Lips (Still Frame), 2016, Video (colour, sound), 11 min, Courtesy the artist
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Jeremy Deller, Strong and Stable My Arse. Courtesy Flyingleaps
Jeremy Deller, Strong and Stable My Arse. Courtesy Flyingleaps
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WAAS Symposium A0_
Poster advertising It Takes a Village: Models for Mother Artists event at Atelier Stroud, 23 April 2017
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Andrew George and Debbie Sayers present the petitions with staff, students, alumni, ex-colleagues and supporters
Andrew George and Debbie Sayers present the petitions with staff, students, alumni, ex-colleagues and supporters
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WAAS_Symp2
It Takes a Village: Models for Mother Artists event at Atelier Stroud, 23 April 2017, film viewing during 'Mother House' session with Dyana Gravina and Amy Dignam from ProCreate project. Photo: the Women's Art Activation System (WAAS)
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WAAS_symp4
It Takes a Village: Models for Mother Artists event at Atelier Stroud, 23 April 2017, from 'Mother House' session with Dyana Gravina and Amy Dignam from ProCreate project. Photo: the Women's Art Activation System (WAAS)
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Jacki Cairns, Dreamtime
Jacki Cairns, Dreamtime, mixed media.
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the-artist-and-exhibitions
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Maureen-Paley-Lawrence-Abu-Hamdan-Exhibition-1
Lawrence Abu Hamdan, Saydnaya (ray traces), 2017, inkjet prints on acetate sheets on overhead projectors. Exhibition view: ground floor gallery, Maureen Paley, London2017. Courtesy: Maureen Paley gallery