Page 449 – a-n The Artists Information Company

Graham Fagen, The Slave’s Lament, 2015, still. © Graham Fagen

I have a beardy face, do you need to know more? Press the red button if so.

Krzysztof Wodiczko, Guests, 2009. Installation view at FACT, Liverpool Biennial 2016. Photo: Jon Barraclough

Graphic Witness Installation view, 2017. Courtesy of Drawing Room, 2017. Photographer Lucy Dawkins

Ray Richardson, Kirk Vidas, oil on linen. Courtesy Glasgow Print Studio

Jeremy Deller, With a Little Help from My Friends. Courtesy: Metal

Bloomberg New Contemporaries 2017 selectors George Shaw, Caroline Achaintre, Elizabeth Price

Rachel Maclean, Spite Your Face, 2017, digital video (still). Commissioned by Scotland + Venice. Courtesy: the artist

Rachel Maclean, Spite Your Face, 2017, digital video (still). Commissioned by Scotland + Venice. Courtesy: the artist

Rachel Maclean, Spite Your Face, 2017, digital video (still). Commissioned by Scotland + Venice. Courtesy: the artist

Rachel Maclean, Spite Your Face, 2017, digital video (still). Commissioned by Scotland + Venice. Courtesy: the artist

Rachel Maclean, Spite Your Face, 2017, digital video (still). Commissioned by Scotland + Venice. Courtesy: the artist

Rachel Maclean, Spite Your Face, 2017, Installation view. Photo: Patrick Rafferty; Courtesy: Scotland + Venice

Rachel Maclean pictured at Chiesa di Santa Caterina where her film, Spite Your Face, 2017, is being shown. Photo: Patrick Rafferty; Courtesy: Scotland + Venice

Fiona Grady, Scattering Light, vinyl window installation, 2017.

Katie Chappell, Portrait.

Helen McGhie, (M)other, installation of eight hand printed C-Type photographs, 2014.

Bob Gelsthorpe, As it Waits, Until it Lasts, C-Type prints, hand made frames (edition of 18), 2017. Exhibited in SWAP Editons at Castor Projects, London; Photo: Simon Mitchell

Conservative manifesto 2017: Forward, Together;(right) Liberal Democrat manifesto 2017: Change Britain's Future