Page 462 – a-n The Artists Information Company

Ortonandon, Tighter Than Tights GIF Workshop, as part of Rhubaba Gallery and Studio’s exhibition ‘Dance like nobody’s watching or Dance like you’re not dancing’, 2014.

Market Gallery, research resources for the symposium, including works authored by contributing speakers: Jonathan Hoskins, Own De Beauvoir; Patrick Keiller, The View from the Train; Irit Rogoff, Free; Carla Cruz, Practicing Solidarity for Common Practice.

Jessica Warboys, Sea Painting, Curve 2017. Pigment on canvas. Courtesy the artist and Gaudel de Stampa, Paris. Installation at Tate St Ives, 2017. Photo: © Tate

Cerith Wyn Evans, Tate Britain Commission. Tate Photography/Joe Jumphreys

Ipek Duben, THEY/ONLAR. Courtesy: Pi Artworks Istanbul/London and the artist

Sean Puleston, We Are Here, Locws International, Swansea High Street. Photo: Erin Rickard

Haroon Mirza, The National Apavilion of Then and Now

Sir Thomas Lawrence, Arthur Wellesley, 1st Duke of Wellington, 1829. © National Portrait Gallery, London

Rendering of Breath by Escif, curated by Antonio Oriente and Incipit. Courtesy Breath

Gillian Ayres, Lure, 1963, Arts Council Collection, Southbank Centre, London (c) the artist. Courtesy National Museum Cardiff

Jaime Jackson, End of Downfall, moving image installation at Vivid Projects, 2016. Photo: Nick Hynan

Duncan Grant, Bathing, 1911. Oil paint on canvas, 2286 x 3061 mm. © Tate

David Hockney, Life Painting for a Diploma, 1962. Yageo Foundation. © Yageo Foundation

John Craxton, Head of a Greek Sailor, 1940. Oil on board, 330 x 305 mm, London Borough of Camden. © Estate of John Craxton. All rights reserved, DACS 2016. Photo credit: London Borough of Camden

Hannah Gluckstein, Gluck, 1942. Oil on canvas, 306 x 254 mm. © National Portrait Gallery

Simeon Solomon, Sappho and Erinna in a Garden at Mytilene, 1864. Watercolour on paper, 330 x 381 mm. Courtesy Tate

Angus McBean (1904-1990), Quentin Crisp, 1941. Bromide print. National Portrait Gallery (London, UK). © Estate of Angus McBean / National Portrait Gallery, London

Keep it Complex – Make it Clear, Unite Against Dividers, a weekend of workshops, debates, questions and networking to equip and activate the arts community after the UK’s EU Referendum, January 2017.

Keith Vaughan, Drawing of two men kissing, 1958–73. Tate Archive. © DACS, The Estate of Keith Vaughan

Paul Tanqueray, Douglas Byng, 1934. Vintage bromide print, 239 x 193 mm, National Portrait Gallery. © Estate of Paul Tanqueray

AltMFA, research and works to start conversations at Alt Schools summit New York.

Keep it Complex – Make it Clear, Unite Against Dividers, a weekend of workshops, debates, questions and networking to equip and activate the arts community after the UK’s EU Referendum, January 2017.