Page 464 – a-n The Artists Information Company

John Dilnot, With the Worms, 2012, second edition of 300, screenprinted concertina book, the pages are 7 printings making 16 colours

John Dilnot, Ten English Homes, 1991, screenprinted edition of cards for an installation at Cornerhouse, Manchester, 1991

First Friday. Photo: Dan Thompson

Sightseeking or Siteseeking?, guided walk with artist Julia Riddiough and architect David Kitt as part of Margate Festival 2016. Photo: Julia Riddiough

Anna Francis, The Portland Inn Project. Photo: Rebecca Davies

Weeds and Pests, John Dilnot, 2010, edition of 300, screenprinted concertina book

A selection of works from John Dilnot’s little book series. Each book is handmade in an edition of 500

Alex Hartley and Tom James, The Clearing, 2017. Photo: Theo Simpson

Alex Hartley and Tom James, The Clearing, 2017. Photo: Theo Simpson

Alex Hartley and Tom James, The Clearing, 2017. Photo: Theo Simpson

Alex Hartley and Tom James, The Clearing, 2017. Photo: Theo Simpson

Alex Hartley and Tom James, The Clearing, 2017. Photo: Theo Simpson

Alex Hartley and Tom James, The Clearing, 2017. Photo: Theo Simpson

Alex Hartley and Tom James, The Clearing, 2017. Photo: Theo Simpson

Nathan Coley, The Lamp of Sacrifice, 286 Places of Worship, Edinburgh 2004, sculpture, 286 cardboard models; 2 photocopied and annotated pages from Yellow Pages (Edinburgh); cardboard models: dimensions variable; pages: 42x29.5cm each; Collection: Scottish National Gallery of Modern Art, Bequest 2004; A Fruitmarket Gallery / Bloomberg Commission: purchased with funds from the Cecil and Mary Gibson; © Studio Nathan Coley

Ellsworth Kelly, Red White, acrylic paint on canvas, 165.4x229.5 x2.9cm, 1966. Tate. Presented by the Tate Americas Foundation, courtesy of Douglas S Cramer 2013. © Ellsworth Kelly; Courtesy: Tate

Mona Hatoum , Position: Suspended, digital print, 49.3x80.3cm, 1986/2013. Performance documentation, Laing Art Gallery, Newcastle upon Tyne. Photo: © Mona Hatoum / Locus+ Archive (Stephen Collins)