Anna Bunting-Branch, The Labours of the Barren House – Finger Spell (G.L.A.M.O.U.R), 2016. Commissioned for Jerwood Solo Presentations 2017, supported by Jerwood Charitable Foundation. Image: Anna Arca
Yvette Hawkins, INHABIT. © 2017 Yvette Hawkins
Wolfgang Tillmans, astro crusto, a 2012 © Wolfgang Tillmans
The impact of creative partnerships on school attainment and attendance 2008-09 and 2009-10. Image taken from front cover of PDF.
Mark Titchner, HANDS OFF. Courtesy: the artist and Vilma Gold
Public value and the arts in England: discussion and conclusions of the arts debate. Image taken from front cover of PDF.
Measuring intrinsic value: how to stop worrying and love economics. Image taken from front cover of PDF.
51zero Festival 2014, ‘The Other Side of Here’.
Pat Naldi, The real [e]state.
Bruno Grilo, Sea close by, (sculpture). Image courtesy New Art West Midlands 2017
Kate Morgan-Clare, Little Hoodie. Image courtesy of New Art West Midlands 2017
Henry Rice, Pondering. Image courtesy of New Art West Midlands 2017
Yazmin Boyle, Orbita (2016) for New Art West Midlands 2017
Lorna Brown, Nice Middle Class White Girl (pinholed pigment print), New Art West Midlands 2017
Taken from the BiColored Movement Series - Photo by William Wilcox.
Hannah Elizabeth Allan, Change of State, durational performance, 2014. Photo: Hannah Ruby Davies.