A-n Magazine May 1998: Increasingly, interdisciplinary or collaborative working processes are being used by artists, both as a means of extending their knowledge and personal experience and to create partnerships in which artists move beyond the close confines of the art world and can more readily address social, political and environmental concerns, we asked six artists, for whom collaborative working is a driving force, to describe their approaches and concerns and to provide some analysis of the issues an questions which have arisen.
Collaborative Practice - Page 2 of 7 - a-n The Artists Information Company
In April 2010 six young people from North Glasgow were given the unique opportunity to explore life in a completely different way and to interpret what they saw using photography within contemporary art.
The social media revolution has had a significant impact on the ways artists work. Here we focus on a selection of projects that artists have developed through online collaboration, sourced via our Twitter and Facebook followings.
February saw the inaugural OpenAIR: Effecting Change members forum take place at Firstsite, Colchester as well as State of the Arts, Arts Council England’s (ACE) annual conference, which had Artists’ Shaping the World’ as its theme. Emily Speed, Jack Hutchinson and Gillian Nicol give their views of these events.
Townley and Bradby have an ongoing collaborative practice. They also have two children. Here they discuss how they used an investigative project to allow their art practice and their parental commitments to inform one another, rather than remaining distinct entities. However, this feature does not look at the existing collaboration between the duo, it looks at the working relationship they initiated with a psychologist who specialises in families.
A survey of commissioning projects and public art consultancies around the UK.
Ruth Ben-Tovim and Anne-Marie Culhane discuss two collaborative projects that focus on exchange, community and participation.
This month sees the culmination of a two-year project at Siobhan Davies Dance, one of the country’s most distinctive dance companies. Choreographer Davies has paired dance artists with visual and applied artists to bring their creative practices together and create new works ranging from performance to film and installation. The commissioned dance artists are Henry Montes, Sarah Warsop, Gill Clarke and Deborah Saxon who are partnered respectively with Marcus Coates, Tracey Rowledge and Lucy Skaer. Henry Montes and Deborah Saxon have also made a piece together with Bruce Sharp. Here, three of the visual artists relate their experiences.
Jo Fairfax, 180° of Light, 2011
In 2010 artist Jo Berry embarked on a period of research within the School of Biomedical Sciences at Nottingham University Medical School, alongside Tim Self and Dr Nicholas Holliday. Here they recount the experience of an artist working in a ‘live’ scientific research environment, and the ways that the two disciplines of art and science can benefit each other to a wider audience.
As UK’s universities continue their radical overhaul to deliver a more streamlined and affordable ‘service’, art education is facing up to the challenges this presents to the sector. Attending Cubitt’s July Festival of Blackboards, Mitra Memarzia observes that art students […]
Held in June, ‘Stronger together’ was an opportunity to ‘celebrate and question how we work together’ – exploring collaboration in its many forms – and how vital that is to the survival of the arts.
Artists David Hood and Seainin Passi introduce their ongoing collaborative practice Community Facility, and reflect on a legacy of nine years’ work and the subtleties of engagement that have emerged.
Artists talking Online editor Andrew Bryant talks to Nicola Dale about collaboration, blogging and a dislike of loose ends.
Artists and arts organisations had the opportunity to debate current and future professional development needs and aspirations in June as part of strategic planning by Turning Point West Midlands.
Directed by artist, curator and writer Sonya Dyer, the Artists and curators talking programme of practice-led discussions on hospitality, space and contemporary art making, provided much food for thought. Here, Sonya Dyer explores some of the issues and outcomes.
A-n’s Collaborative relationships series exposes the working relationships between artists and the wide range of professionals they collaborate with. Running in its current format since 2008 we now have a rich archive of over thirty articles covering hugely varied projects. Here, some select quotes offer highlights and insights into the nature of collaboration.
Last month Cambridge saw the launch of a significant new artist-run space, Aid & Abet. Artists Sarah Evans, David Kefford and CJ Mahony discuss how the project has developed and how their relationship has graduated from being fellow studio holders to a collaborative working group.
John Plowman unpicks a new book on collaborative practice by Nuno Sacramento and Claudia Zeiske.
A-n’s Collaborative relationships series exposes the working relationships between artists and the wide range of professionals they choose to collaborate with. In this article, artists Yoke and Zoom and Susan Miles of ACORP give their accounts of a cultural regeneration project with a difference – converting a railway station’s disused toilets into an art gallery.
The Parallel School of Art engages in collaborative workshops and projects that explore and redefine models of learning.
A-n’s Collaborative relationships series exposes the working relationships between artists and the wide range of professionals they choose to collaborate with. In this article, artist David Cotterrell and Projects Director Carolyn Black reflect on the realisation of a unique and demanding work for the Forest of Dean Sculpture Trail.
A selection of projects that focus on the development of artists’ practice and their engagement with local communities.
A-n’s Collaborative relationships series exposes the working relationships between artists and the wide range of professionals they choose to collaborate with. In 2009-10 a series of permanent artworks were negotiated for a major redevelopment of Bethnal Green’s former Town Hall into an exclusive hotel. Artsadmin’s Manick Govinda and Clare Qualmann of walkwalkwalk give their account of these negotiations and the work resulting from one of the commissions.
Midwest was an artist’s development programme that ran from 2003 to 2008 in the West Midlands. Here we share pdf reports on Midwest’s activity that provide valuable insights into possibilities within artist-led culture.