Live Art - Page 4 of 4 - a-n The Artists Information Company

Microscopic Stories - a listening environment
Resource Profile

Charlie Pulford

“I’m drifting far out in space with Michael Jackson’s face, and all I want to do is get back home.”

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It'sarealdeadringerforlove
Resource Profile

Gillian Wylde

Working with live performance, video, text and object, my practice is an investigation of liveness, mediation, desire and duration.

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still life
Resource Profile

Franko B

Since I left art school in 1990, I have been creating work across art forms and for exhibitions.

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Desert Rain
Resource Archive Feature

Reach for the stars

Jeni Walwin, investigates Blast Theory an innovative, yet pragmatic artist-led company that’s proving to be inspiration for many artists working in performance and new media.

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Stacked Hotel Room No.5
Resource Archive Feature

No limits

David Butler discusses live art support structures and their relevance to other arts sectors.

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blown glass and copper wire
Resource Archive Feature

Strategies and resources

The UK’s seen a noticeable increase in professional development schemes for artists, encompassing training, mentoring, networking and information services. There is an obvious cross-reference to the government’s endorsement of ‘lifelong learning’ as a principle, encouraged through the offer of individual learning accounts for all. These moves increase opportunities for the kinds of artistic development that incorporates developing and honing skills, accessing facilities and ultimately furthering career strategies. The results are more than just CV embellishment. By providing points of crossover between artists, such schemes contribute to peer support systems and help to address the potential isolation of artists. Here, three individuals involved in artists’ professional development matters describe some of the resources around, and discuss how artists are making the most of them.

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