Profile and Promotion - Page 2 of 3 - a-n The Artists Information Company

Resource Profile

Erika Tan

Erica Tan describes her career as requiring her to undertake different roles, of which ‘artist’ and ‘curator’ are only two of many.

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Resource Profile

Gavin Wade

Gavin Wade talks about his role as a ‘professional curator’ working outside of an institution.

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Resource Profile

Jananne Al-Ani

Jananne Al-Ani describes how her experiences as an artist have informed her development of curatorial projects.

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Resource Profile

Anne Bean

Anne Bean argues that ‘artists who curate’ should lead their own agenda.

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Family
Resource Introduction

The art world

An overview of the types of private and public galleries and organisations that constitute the UK’s art world. Examples demonstrate what drives them, as well as the imperatives of some of the artists who exhibit and develop work for them.

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Waiting Room (Video Still)
Resource Introduction

Contemporary gallery practice

Paulette Terry Brien reveals how a number of national public-funded galleries and organisations have expanded notions of exhibition programming beyond pristine white-walled gallery spaces, and are commissioning artists to make new and challenging work within the institution, as well as off-site.

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DIWO
Resource Introduction

Curatorial organisations

Beyond the curatorial work established by and presented from within art museums and galleries, a plethora of curatorial organisations operate in order to support and develop the practice of curating. This tour, by Charlotte Frost, examines some of the different remits addressed by curatorial organisations, providing an initial orientation in their hugely diverse activities.

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Auction #1
Resource Introduction

Selling initiatives

Independent curator Jeni Walwin looks at issues relating to selling work and examines a number of different ways that artists can engage with the art world on a commercial basis.

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Device #7
Resource Introduction

Artist-led activity

Chris Brown introduces a rulebook to guide you through the whys and wherefores of artist-led activity.

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Portrait of our Lord Protector Gentrificator General
Resource Profile

Studio Voltaire

S Mark Gubb profiles Studio Voltaire, the first and only artist-led gallery and studio complex in South West London.

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Inventory, (front), 2004-ongoing, Moron'omo, (back), wall painting
Resource Profile

Vane

S Mark Gubb talks to Vane about its evolution from an artist-led platform in Newcastle to an artists’ agency operating internationally.

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Drift
Resource Profile

R O O M

S Mark Gubb profiles R O O M and learns about its journey from artist-led venue in Bristol to a commercial space in London.

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Queen Mother Nanny of the Mountains
Resource Profile

Mary Mary

S Mark Gubb talks to Glasgow’s Mary, Mary about their transformation from artist-led project space to commercial gallery.

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Resource Profile

Moot

S Mark Gubb profiles Moot, a Nottingham-based gallery that aims to act as a catalyst for the local arts community.

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Untitled
Resource Profile

Associates

S Mark Gubb looks at twelve months of activity at Associates gallery, promoting and supporting emerging artists.

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The Space Between
Resource Profile

no.w.here

S Mark Gubb profiles no.w.here, an artist-run project space which expands and examines film within contemporary arts practice.

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Untitled
Resource Profile

The International 3

The International 3 is an exhibition and project space based in Manchester that runs as a not-for-profit company. S Mark Gubb looks at their activities and development.

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Black: Implication Flooding
Resource Profile

Colony

S Mark Gubb on Birmingham-based Colony, a space inspired by the artist-led initiatives of the 60s and 70s.

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Opening event of ‘Teeth and Trousers’ exhibition
Resource Profile

Cell Project Space

Paul Stone on east London based organisation Cell Project Space that across three sites encompasses gallery, studios and internship programme.

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The Glamour
Resource Profile

Transmission

Sorcha Dallas profiles Transmission, the Glasgow-based artist-run gallery, that was established in 1983 by graduates of Glasgow School of Art.

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Crying Glasses (an aid to melancholia)
Resource Profile

Hayley Newman

Hayley Newman works performatively, producing live events, film, video and photography. Sally O’Reilly looks at how she investigates modes of documentation and the historical placement of the genre.

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