Jananne Al-Ani describes how her experiences as an artist have informed her development of curatorial projects.
Profile and Promotion - Page 2 of 3 - a-n The Artists Information Company
Anne Bean argues that ‘artists who curate’ should lead their own agenda.
An overview of the types of private and public galleries and organisations that constitute the UK’s art world. Examples demonstrate what drives them, as well as the imperatives of some of the artists who exhibit and develop work for them.
Paulette Terry Brien reveals how a number of national public-funded galleries and organisations have expanded notions of exhibition programming beyond pristine white-walled gallery spaces, and are commissioning artists to make new and challenging work within the institution, as well as off-site.
Beyond the curatorial work established by and presented from within art museums and galleries, a plethora of curatorial organisations operate in order to support and develop the practice of curating. This tour, by Charlotte Frost, examines some of the different remits addressed by curatorial organisations, providing an initial orientation in their hugely diverse activities.
Independent curator Jeni Walwin looks at issues relating to selling work and examines a number of different ways that artists can engage with the art world on a commercial basis.
Chris Brown introduces a rulebook to guide you through the whys and wherefores of artist-led activity.
Introduction to Artists’ strategies and self-management
S Mark Gubb profiles Studio Voltaire, the first and only artist-led gallery and studio complex in South West London.
S Mark Gubb talks to Vane about its evolution from an artist-led platform in Newcastle to an artists’ agency operating internationally.
S Mark Gubb profiles artist Gavin Wade and his project that aims to tackle the role and function of art.
S Mark Gubb profiles R O O M and learns about its journey from artist-led venue in Bristol to a commercial space in London.
S Mark Gubb talks to Glasgow’s Mary, Mary about their transformation from artist-led project space to commercial gallery.
S Mark Gubb profiles Moot, a Nottingham-based gallery that aims to act as a catalyst for the local arts community.
S Mark Gubb looks at twelve months of activity at Associates gallery, promoting and supporting emerging artists.
S Mark Gubb profiles no.w.here, an artist-run project space which expands and examines film within contemporary arts practice.
The International 3 is an exhibition and project space based in Manchester that runs as a not-for-profit company. S Mark Gubb looks at their activities and development.
S Mark Gubb on Birmingham-based Colony, a space inspired by the artist-led initiatives of the 60s and 70s.
Jeanie Finlay points artists in the right direction on the road to self promotion.
Paul Stone on east London based organisation Cell Project Space that across three sites encompasses gallery, studios and internship programme.
Declan Long on two new Dublin-based galleries, and the relationship between artist-led spaces in Ireland and the UK.
Sorcha Dallas profiles Transmission, the Glasgow-based artist-run gallery, that was established in 1983 by graduates of Glasgow School of Art.
Hayley Newman works performatively, producing live events, film, video and photography. Sally O’Reilly looks at how she investigates modes of documentation and the historical placement of the genre.
Nils Norman’s practice uses digital illustrations and architectural modelmaking to propose redevelopments of urban sites. Chris Hammonds finds out about his ‘multi-front economy’ based practice.
Paul Moss profiles Tanya Axford and discusses the strategies she has employed to maintain her practice.